Believe it or not, writers don’t particularly enjoy asking you to buy and read our stuff. We are not, as a rule, good at sales or comfortable touting our own work. We prefer to write, to spend time with our characters, in our settings, thinking up new and exciting plot lines. If we had wanted to be businesspeople we would have gone into business. For many of us, promotion and marketing are necessary evils that facilitate the creative endeavors we truly love.
And so, I undertake the writing of this post, this latest plea for help, with a good deal of reluctance. The thing is, though, I want this new series to do well. I love the books, the world, the characters, the storyline. And I have wonderful ideas for what might happen next in this universe. But if this first series doesn’t sell, I won’t get to publish more books featuring Marti and Kel, Riann and Carrie, Quinn and Orla, Manannán and the Furies. That’s the way the publishing world works. Our publishing reputation is really only as good as the sales of our most recent project. A harsh reality, but a reality nevertheless.
Therefore, before I offer you one last free teaser excerpt from The Chalice War: Sword, the third and final book in my Celtic urban fantasy trilogy, The Chalice War, I would ask the following of you:
1) If you have not started reading the series, which begins with The Chalice War: Stone and The Chalice War: Cauldron, please do. The books are exciting, fun, and filled with memorable characters. If you’re reading this blog chances are you’re A) a fan of my work, or B) a friend who follows me because of that friendship and has not yet read any of my books. To fans, if you like my other work, you’ll love these books. They’re among my best. And to my friends, maybe you’re not really fantasy readers. I totally get that. But these books are set in our real world and the magic is based on Celtic mythology. These are as accessible as any fantasy I’ve written. Give them a try.
2) If you have already read the first and/or second book(s) in this series, thank you. But there is more you can do. Please, please, please consider leaving a review of the book(s) on Amazon or at other reader/bookseller sites. Reviews, even not so great reviews, help writers enormously. The way Amazon works, the number of reviews for a book is far more important than the content of those reviews. So, if for some reason you didn’t enjoy the book(s), leave a review anyway. Every review helps. Of course, if you loved the book(s), a glowing review is especially helpful.
3) If you have already read the books AND left reviews, you have my deepest gratitude. And yet, I have a request for you as well. Maybe you know a reader who is not familiar with my work. Maybe a fantasy reader you know has a birthday coming up. Maybe you’re looking to get an early jump on your holiday shopping. Books make marvelous gifts. Just sayin’.
The Chalice War: Sword comes out the day after tomorrow, Friday, August 4. I hope you enjoy reading it as much as I enjoyed writing it. And now, a final teaser!

*****
“There’s our guide,” Carrie said, as soon as the woman entered the pub.
“How do you know?” Marti asked, twisting in her seat.
“It’s the woman I saw at the river this afternoon.”
“You’re sure?”
She was. And the small, knowing smile the woman offered as she approached their table made her that much more certain. Seeing her close up, Carrie noticed things she’d missed earlier. The woman’s eyes were blue, and while there might have been thin lines around her mouth and eyes, her hair was satiny and black. She didn’t look as old as Carrie had thought by the river.
It helped that instead of wearing the long gown and shawl she had on this afternoon, the woman now wore a tight black leather skirt, a low-cut and yet somehow tasteful blouse, and ankle boots for which Carrie thought Riann would have killed.
Every person in the pub, regardless of gender, followed the woman with their gaze as she sauntered past. She kept her eyes riveted on Carrie. It was unnerving and, Carrie had to admit, just a little bit provocative. Perhaps reading her thoughts, the woman broadened her smile, revealing perfect, sharp teeth. Also provocative.
She halted beside Carrie’s chair, angling her body so as to show her back to Marti and Riann, and stuck out her hand.
“I believe you’ve been expecting me,” she said in a strong alto and a lilting brogue. “I’m Enya.”
“Um . . . Hi. I’m Carrie. Enya, you said? Like the musician?”
“It’s pronounced Enya, but spelled E-i-t-h-n-e.” She shrugged, tipping her head just a bit. “These days no one can make heads or tails of that version of the name. I should probably change it for simplicity’s sake. But I don’t like to make things too easy on anyone.”
Her eyes remained locked on Carrie’s, and she didn’t release Carrie’s hand. Her thumb gently, subtly caressed the skin between Carrie’s thumb and forefinger.
Carrie pulled her hand from the woman’s grasp and indicated the others at the table. Her skin tingled where Eithne had touched her.
“These are my friends. Riann, Marti, and Kel.”
“Hello, Kel,” Eithne said, turning unerringly to the conduit. Again, she proffered her hand, though she didn’t hold Kel’s for more than a second or two. She nodded to Riann and Marti. That was all.
She flashed a dazzling smile toward the men at the adjacent table. “Are you using this chair?”
The men practically fell over themselves positioning it for her. Carrie thought they would have built her one had there not been an extra.
Eithne sat, crossed her legs, and raised a hand. Within seconds, their server stood at the table, out of breath, her cheeks flushed.
“Wine, please,” Eithne said. “Whatever Sauvignon Blanc you have from New Zealand.”
“And I’d like another . . . .” Riann trailed off. The server was gone already, having given no indication that she heard. “Beer.”
She turned back to the newcomer, her expression icy. “So, Eithne, what qualifies you to be our guide?”
“Your ‘guide?’ Is that how the Furies characterized what I’d be doing?”
“You’d use a different word?”
“First of all, I was under the impression that only Carrie would be entering the Underrealm.”
Riann shifted in her chair. “Well . . . yes.”
“And I would call myself her protector. Her champion. Her lifeline. Any of those will do nicely.” She faced Carrie again. “The dingo out front: she’s your conduit?”
“Yes.”
“She’s beautiful. And powerful. I can see why the Morrigan chose you for this.”
Riann bristled. “Why the Morrigan— They didn’t choose her for anything. This was our idea. Marti’s idea. The Morrigan knew nothing about it until we went to them. And the only reason Carrie is going down there is she’s the only one of us who’s Fomhoire.”
She cringed, seeming to grasp too late that she’d basically said Carrie had no value to them beyond her heritage. She chanced a glance in Carrie’s direction.
Carrie looked away pointedly, too hurt and angry to meet the woman’s gaze.
She would have struggled to explain her reaction. She knew it was true. She had Fomhoire blood, which meant she could enter the demons’ realm. Compared to the others, she had no magical ability to speak of, little knowledge of Baelor or Cichol or their servants, and even less sense of what she would find Below. And yet, hearing the woman she loved, who she thought loved her, speak of her in those terms left her feeling denigrated and dismissed. Not for the first time on this trip.
“Care to elaborate?” she asked Riann. “Give a few examples of the different ways I’m unqualified to go?”
Riann stared at her empty glass. “No. I’m sorry.”
Carrie nodded, tight-lipped. Eithne appeared to be enjoying herself.
“Where are you from, Eithne?” Marti asked.
“North of here. No place you’ve heard of.”
“I know Ireland well. Try me.”
“Noughermore.” She pronounced it “noffermore,” but with a hint of something guttural in the middle of the word.
Marti’s mien soured.
“As I said, no place you’ve heard of.”
The server returned with Eithne’s wine and this time lingered long enough to take refill orders from the others. After she left, a frosty silence settled over the table. Again. Carrie couldn’t remember the last time the four of them had simply gotten along, without conflict, or worry, or intrusions from others in the Celtic . . . . Community, she decided, was too generous a word.
Eithne was odd and clearly determined to sow as much discord among them as possible. But that hardly differentiated her from the Morrigan. And as flattering as her attention might have been, Carrie didn’t trust her even a little.
“So, how is it you know so much about the Underrealm,” she asked the woman. “I mean that’s not a usual tour guide thing, is it? There isn’t a tourism institute in—Where was it? Noughermore?—there isn’t a school you went to that offers lessons in navigating Cichol’s lair?”
Eithne’s lips curved, and she covered Carrie’s hand with her own. “Keep your voice down,” she whispered.
Carrie pulled her hand away. “Why should I? This is just a pub. We’re just talking. Who do you think might hear?”
Eithne’s smile ossified. “What does it matter? The Morrigan trust me completely.”
“But we don’t completely trust them,” Marti said.
“Heard that.” A distant voice, possibly Badbh’s.
Most of the time these days, Carrie felt beyond her depth, as if the others were privy to information she didn’t have. This once, though, she was anything but. She’d seen this woman first, and without knowing why, she already had a sense of her, of her motives and origins.
“You’re Fomhoire,” she said, leaning in, intent on those crystal blue eyes. “You’re not from Noughermore. You’re from Below.”
The others watched and waited, riveted. Eithne sipped her wine, her hand steady.
“Actually, it’s possible to be from both. I’m living proof.”
Carrie said nothing. She thought if she kept silent long enough, the woman would tell them more.
Eithne reached for her glass again, but stopped herself. “You know Noughermore as East Town,” she finally said, addressing Marti. Her voice had flattened, and she’d switched off the charm. “It’s not much, but it’s home.”
“East Town. On Tory Island.”
“That’s right.”
“So, Carrie’s right. You are Fomhoire.”
“There are Milesians from East Town. There are even Sidhe from East Town.” When no one responded, she made a small gesture, something between annoyance and acquiescence. “Like I said: I have roots in both worlds. What matters for you is that I can lead your friend here right through Cichol’s home and to the Sword. I know where it is. I know how to reach it. I know how to get us out once it’s in hand. Nothing else should matter to you.”
“Like hell it shouldn’t,” Riann said. “You want us to believe you’re helping us out of the goodness of your heart, or because you love Sidhe so much?”
“I don’t care what you believe. But no, I expect you to think there’s something in it for me, that I’ve got my own agenda. Because there is, and I do.”
“And what agenda is that?”
Eithne’s silken smile returned. “None of your damn business.”
The sounds of the pub abruptly vanished—the din of laughter and conversations, the clink of plates and glasses and cutlery, the background drone of the television. All went silent. Carrie glanced around, as did her friends. Eithne drank more wine, apparently unconcerned. The pubs other patrons had gone still. Literally. None of them moved or spoke. One man at the next table was frozen with his glass of stout at his lips. A drop of Guinness hung suspended between his grizzled chin and the table.
“What in God’s name . . . .” Kel said.
And then the Morrigan were back, in the flesh this time, seated in chairs that materialized with them. They wore black sequined dresses and black satin stilettos, and their hair was teased into matching buns. They looked stunning. And pissed.
“Are we having trouble getting along?” Macha asked archly, crossing her legs with the grace of a dancer.
“They don’t like me,” Eithne said.
Badbh dismissed this with a wave of her slender hand. “No one likes you.”
“You need a guide,” Macha said to Marti. “Or rather, she does.” She jerked a perfectly tapered chin in Carrie’s direction. “We got you one. End of story.”
“She’s Fomhoire!” Riann said.
Badbh chuffed a laugh. “Yes, darling. We searched far and wide for a Sidhe who could tell us what Cichol’s lair is like, but all of them are dead, so . . . .”
“This isn’t a meet and greet,” Macha said. “And it’s not a dating service. We honestly couldn’t care less if you get along. You have a task; you need help completing it. This is your help. Work together or don’t. But if you don’t, be prepared to fail. Navigating the Underrealm alone would be perilous. Entering Cichol’s demesne alone is suicide.” She indicated Carrie with another twitch of her head. “If you want this one back, you’ll let Eithne guide her.” She considered each of them one by one, appearing every bit the Battle Fury. “Are we clear?” She didn’t wait for an answer. “Good. We’re leaving. It’s going to take hours to get the pub smell out of my hair.”
“Why bother?” Badbh asked. “It matches your singing.”
Macha glowered.
“What? You expect me to pass up an opening like that?”
They winked out of view. The bar noise resumed. A wave of dizziness crashed through Carrie, and she gripped the table. “Whoa.”
“Tell me about it,” Kel said, doing the same, her cheeks blanching.
Only Eithne appeared unaffected.
Marti eyed the woman, suspicion and resentment in the set of her jaw. “Fine. You’re one of us, for now. Do you need a place to stay?”
That of all things made Eithne laugh. “Hardly. And I won’t need a ride either. Your car is too crowded as it is. And,” she added, with glances at Riann and Carrie, “pretty though your conduits might be, I have no desire to smell dog all day. We’ll work together, but we needn’t make things more unpleasant than necessary. Get to Tory Island. I’ll meet you there.”
Carrie half expected her to disappear as the Morrigan had. She didn’t. She drained her wine, pulled a twenty Euro note from within her blouse and tossed it on the table, and sauntered to the door and out, her exit from the pub as attention-grabbing as her entrance had been.
“I don’t like this,” Riann said to Marti.
The other woman shook her head. “Neither do I. We could try talking to Manannán. He’s likely to know someone with knowledge of the Underrealm. Someone we can trust more than—”
“No,” Carrie said.
They all turned to her.
“We’ll go with Eithne. That’s who the Morrigan have chosen, and they’ve been in on the planning from the start.”
“Just because they’ve—”
“I said no.”
Riann looked like she’d been slapped.
“It’s my life on the line, so it’s my choice. I don’t like her, and I’m very glad she has her own way of getting north to the island. But she’s the guide I want—not some friend of Manannán who none of us has ever heard of.”
Marti didn’t respond. Clearly, Riann wanted to. Carrie had no doubt this argument would continue later, when they were alone. For now, though, her declaration was met with silence. At first.
Kel drained her glass. “And once again, snaps for Carrie for saying what needs to be said. I should invite you to all my arguments with Marti.”
Let’s start with the obvious:
I’m asked quite often if I still feel the thrill of seeing a new book in print, even after so many years and so many releases. And the truth is, I do. Sure, the very first time was unlike anything I’ve experienced since. I still remember getting a call from the local bookstore here in our little college town. My author copies hadn’t arrived yet, so when the store manager reached out to let me know the hardcover edition of Children of Amarid was in stock, I rushed over to see it. I’m pretty sure Nancy came with me.
With all this in mind, I am happy to say that the releases of The Chalice War: Stone and The Chalice War: Cauldron have gone great. No new pandemics. The stock market is up. The art work looks marvelous. All the chapters are just where they should be. (I think — I should probably check to be sure . . . . Yep, they look great!) Sales? I have no idea at this point. It’s too early to know. Reviews? We’ll see about those as well. I worry, of course. I want these books to succeed. I want you to like them. And, if you do, I would love for you to tell the world.
All those great ideas you have for jacket art? They’re not as great as you think they are. Seriously. We are a writer. And we’re very, very good at that. We are NOT a graphic artist. We are NOT a marketing expert. I remember when the first Thieftaker novel went into production, I had what I thought was SUCH a wonderful idea for the jacket art. A can’t miss idea. PERFECT for the book. It wasn’t any of those things. The moment I saw Chris McGrath’s image for the book, which WAS brilliant and wonderful and perfect, I understood that no one should ever put me — us — in charge of selecting jacket art.
On the other hand, do trust in your story ideas. All of them. Even the old ones that haven’t yet gone anywhere. At some point, you’ll have an idea for a story about three kids living in the subway tunnels beneath New York City. And you won’t have any idea what to do with it. You’ll give up on it. Don’t. It will become Invasives. At another time, you’ll write a story about two women interacting with Celtic deities and trying to protect an ancient, transcendently powerful magical artifact. That one, too, will seem to languish. Trust the story. That book just came out. It’s called The Chalice War: Stone. Believe in your vision.
I continue to read through and revise the books of my Winds of the Forelands epic fantasy series, a five-book project first published by Tor Books in 2002-2007. The series has been out of print for some time now, and my goal is to edit all five volumes for concision and clarity, and then to re-release the series, either through a small press or by publishing them myself. I don’t yet have a target date for their re-release.
We are often our own most unrelenting critics. This is certainly true for me in other elements of my life. I am hard on myself. Too hard. And, on a professional level, I am the first to notice and criticize flaws in my writing. So reading through old books in preparation for re-release is often an exercise in self-flagellation. It was with the LonTobyn reissues that I did through Lore Seekers Press back in 2016. And it is again with the Winds of the Forelands books.
As I have read through this first book in the story, polishing and trimming the prose, I have rediscovered that narrative. I remember far less of it than I would have thought possible. Or rather, I recall scenes as I run across them, but I have not been able to anticipate the storyline as I expected I would. There are so many twists and turns, I simply couldn’t keep all of them in my head so many years (and books) later.
I’ve been thinking of this a lot recently because I am in the process — finally! — of reissuing my Winds of the Forelands series, which has been out of print for several years. The books are currently being scanned digitally (they are old enough that I never had digital files of the final — copy edited and proofed — versions of the books) and once that process is done, I will edit and polish them and find some way to put them out into the world again.
I feel that way about the second and third books in my Case Files of Justis Fearsson series, His Father’s Eyes and Shadow’s Blade. These books are easily as good as the best Thieftaker books, but the Fearsson series, for whatever reason, never took off the way Thieftaker did. Hence, few people know about the Fearsson books, and it’s a shame, because these two volumes especially include some of the best writing I’ve ever done.
Same with the Islevale Cycle trilogy. Time’s Children is the best reviewed book I’ve written, and Time’s Demon and Time’s Assassin build on the work I did in that first volume. But the books did poorly commercially because the series got lost in a complete reshuffling of the management and staffing of the company that published the first two installments. The series died before it ever had a chance to succeed. Which is a shame, because the world building I did for Islevale is my best by a country mile, and the plotting is the most ambitious and complex I ever attempted. Those three novels are certainly among my very favorites.
Blogging and social media are extras. Yes, in this day and age, they are important extras. Crucial, some might say. We have to publicize our books, or no one will buy them or read them. But as vital as this part of the job might seem, I would once again turn the previous phrase on its head: We have to publicize in order to be read? Yes, we do. But more important by far is this: We have to write the books in order for any of that publicity to be worth a damn.