Tag Archives: photography

Monday Musings: Digital Technology, Ansel Adams, and the Joy of Modern Photography

As I mentioned in a post last week, Nancy and I just spent a week and a half out in Colorado, seeing our girls, hiking, and unwinding. It was a good trip, and, as is my wont, I spent a fair amount of time capturing photo images. I shared some photos last week, but those were just the ones taken on my phone. This week, I share some of the images I captured with my big rig, my Canon 5D Mk IV, with a pair of truly excellent lenses — a 24-105mm f4 L and a 16-35mm f4 L. To most of you, the lens and camera info probably won’t mean much. That’s fine. I thought a few of you might be curious.

The Crags Trail, by David B. CoeI spent this past weekend going through my photos, processing the images, and selecting a few to put in a rotation of favorites that show up on my computer desktop and in my screensaver slide show. And as I work through these images, I have been thinking about photography in general and where the technology that is now available to photography hobbyists has taken us.

When I started getting serious about my photography, we were still in the film age. (Kids, ask your parents.) I would load a roll of film into my camera, take photos — usually thirty-six exposures per roll — and, upon reaching the end of the roll, would then rewind the film back into the little metal cylinder and remove it from the camera. At that point, my control over the image would reach its end. I would take the film to a local store, or perhaps send it directly to one of the Kodak or Fujifilm processing centers scattered around the country, and wait to see how my photos came out. The wait was frustrating, the cost pretty outrageous.

Florissant Fossil Beds NM, by David B. CoeSome stores and processing centers were willing to consider special instructions — “please over- (or under-) expose slightly” or some such. But to be honest, I wasn’t good enough at that point to know with confidence that ALL my images would need the same special treatment, and so I just sent my film in and hoped for the best. More often than not, I was disappointed.

Mueller State Park view, by David B. CoeKnowing what I do about the history of photography, I now understand how strange that consumer film process actually was. The old masters of photography — Edward Weston, Alfred Stieglitz, and most notably Ansel Adams did not leave it to Kodak or Fujifilm or any other commercial entity to develop their images. They held fast to every step of the creative process, from image capture to production of the final print. Photography as an art form was not limited to a mechanical blink of creative inspiration. Rather, it relied upon a complex and time-consuming manipulation of that initial capture, to turn the photo into exactly what the artist envisioned. Adams in particular used an approach he called “dodge and burn,” relying on a masterful understanding of darkroom tools and chemicals to darken certain parts of an image and brighten others. He and his contemporaries would never have dreamed of placing themselves at the mercy of film development labs.

The great irony of this lies in the freedom now granted to amateur photographers like me by digital dark room applications on our computers. My photography workflow may rely on digital technology, but in every other respect it is more similar to the experience of the old masters than it ever was in the age of film. Like Ansel Adams, I no longer have to hope that my images were perfectly exposed. I can make adjustments to the original images, balancing light and shadow, compensating for exposure issues in some quadrants of a capture while using the original lighting in others. I can, in other words, do a digital “dodge and burn.” (I used to use Adobe’s Lightroom, but I grew disenchanted with their subscription model of “ownership.” I now use DxO’s PhotoLab, which allows me to do everything Lightroom did, but at a lower cost.)

Florissant meadow, by David B. CoeMore, I no longer have to decide before going out in the field what sort of film to use. I can take an image that I know will work in color and follow it up immediately with one that I know I’ll prefer in black and white. Converting an image from color to grayscale is as simple as clicking a box. I love that freedom.

To be clear, I do all I can to avoid over-processing my photos. We have all seen photographs that look so “perfect” as to be unrealistic: hyper-detailed, garishly colored, lit with unconvincing evenness across shadow and sunlit feature. I have no desire to produce such images. Even with a digital darkroom at my disposal, I still wind up with many images that don’t work. The ones I add to my “favorites” constitute a tiny fraction of the images I take.

But I have control over the work I do. From image capture to production of the final image — either in the form of a print, or a computer image I can enjoy every day — I make the photograph exactly what I want it to be. And the truth is, the very best images I produce are pretty high quality. I would put my finest photos up against those of most professionals. That sounds like bragging, but it’s true.

Most important, I engage in a creative process that I enjoy, that I find challenging and deeply satisfying. My photography scratches a “creative itch” that is very, very different from the one I scratch with my writing. It is one of my great passions.

I hope you enjoy these images, and I wish you a great week.

Monday Musings (On Tuesday): Our Family Trip

As I write this, we are winging our way back home after a week and a half in the mountains of Colorado, west of Colorado Springs. Nancy and I rented a house in a little town called Florissant, just a couple of miles from Florissant Fossil Beds National Monument. Our younger daughter, Erin, who lives in Denver, joined us for the first weekend and then went back home for work. Nancy and I spent several days alone in the house, going on long hikes each morning and chilling on the back patio of the house each afternoon. On Tuesday, our older daughter, Alex, flew from New York to Denver to spend a couple of days with her sister, and then on Thursday the two of them drove back to Florissant to spend a long weekend with us.

We had a marvelous trip. Our visits with the girls were lovely and fun, filled with laughter and good conversations despite the difficulties we face as a family right now. We watched a ton of Women’s World Cup soccer. Nancy and the girls worked on a puzzle that proved nearly impossible, and finished it our last night in the house. (No, I didn’t help. I rarely do puzzles. I’m colorblind, and jigsaw puzzles are a particular brand of hell for those of us with that affliction.) We read. We enjoyed the hot tub that came with the house. We enjoyed a couple of meals out. We enjoyed many a home-cooked meal (learning the hard way that cooking rice at 8,700 feet is VERY different from cooking it at sea level, or 2,000 feet, or even 5,000 feet).

The hikes Nancy and I took during our days alone were gorgeous. We did a couple in the National Monument, walking through mountain meadows and groves of aspen and lodgepole pine. We did one spectacular hike on what’s known as The Crags Trail, in Pike National Forest. The hike started at 9,500 feet altitude and ended at 10,500 feet, atop a rocky dome with a 360 degree view of the Rockies. And we did a couple of beautiful walks in Mueller State Park, part of the terrific Colorado State Parks system. All told, we walked 25-30 miles in four days — nothing extraordinary, but enough to make us feel that we had explored the area thoroughly. Along the way we saw birds and coyotes, a palette of wildflowers and tons of lovely, albeit hard to identify, alpine butterflies.

The weather was great the entire week. Cool clear mornings, warm afternoons that were punctuated each day with dramatic thunderstorms, and cool nights. One evening, we watched a storm roll up the valley straight toward our house, forks of lightning dancing along ridge lines and illuminating the sky. Another day we had a hail-storm that dumped enough pea-sized pieces of ice on the patio to allow me to make a “snowball” or two.

As I say, things continue to be tough in our little world, and we don’t anticipate them getting much better, at least not anytime soon. But we still share a ton of love. We still know how to laugh and enjoy one another. And we can still appreciate the beauty and light of nature, of companionship, of family.

I return home feeling full, renewed, joyful and also bittersweet. Under the circumstances, I could hardly ask for more.

I wish you a wonderful week. Reach out to the people you love. Hold them near. Don’t wait to tell them how you feel about them.Our daughters Nancy atop the Crags View from the Crags Nancy and me Mountain view

Monday Musings: Places I Want To Visit

As spring begins and summer looms, I find myself thinking more and more about travel. I already have a couple of trips planned for a bit later in the year — a trip to Denver, Colorado and Laramie, Wyoming in May, and a second visit to Colorado, this one to the mountains with Nancy and our girls, in July. We’ll also be heading to St. Marks National Wildlife Refuge in the fall, to make up for the Covid-related cancellation of my birthday trip, and no doubt at some point I’ll head up the East Coast to see family.

More to the point, though, Nancy and I are on the verge of a period in our lives when we will probably be traveling a good deal more than we’re used to — one of the perks of getting older, I guess.

In any case, I thought it might be fun to share a partial list of some of the destinations we’re considering that have already captured my imagination. Before I get to that list, though, a brief word of explanation. As I contemplate travel, I look forward to certain things. Nancy and I love to hike, so we will always look for places that reward us for our walking efforts. I am a dedicated photographer of landscapes, cityscapes, architecture, nature, and pretty much anything else, so I crave the pretty. I’m an avid birder, and so anyplace we go I will have with me my binoculars and the appropriate field guide. When we can, we like to enjoy good food, good wine, and good whisky. And we are sports enthusiasts, so if we can find baseball games or soccer matches, we will attend.

Domestic Destinations — these are dominated by National Parks and other nature areas. Most of the places listed here, I have never visited.

Badlands National Park
Badlands National Park — Joecho-16/Getty Images

1) Badlands National Park in South Dakota. I have wanted to visit the Badlands for years and I am hopeful that this will be one of our first destinations. Gorgeous formations, spring wildflowers, dramatic summer storms. I can’t wait.

2) White Sands National Park in New Mexico. Another place I have wanted to go for as long as I can remember. A strange, stunning, dramatic landscape, and one that is relatively near Albuquerque and Sante Fe, two of our favorite cities.

3) Katmai National Park in Alaska. This one might be a slightly tougher sell when it comes to getting Nancy to go. I’ll tell her the scenery is supposed to be magnificent, the views of Brown Bears amazing, the birds spectacular. All this might not be enough . . . .

4) Acadia National Park in Maine. I want to go in the fall, when the foliage is changing, but really the coastal views here are supposed to be lovely any time of year.

5) Capitol Reef National Park in Utah. I have been to all the other Utah parks; Nancy has been to most of them. But this one we’ve never seen. It is said to be gorgeous, and we love the Utah desert.

6) A baseball stadium tour — multiple states and cities. We have talked about this for years. We would want to hit Wrigley and New Comiskey Parks in Chicago, Busch Stadium in St. Louis, as well as the stadiums (stadia?) in Denver, Kansas City, Cleveland, Milwaukee, Cincinnati, Pittsburgh, Philadelphia, Baltimore, and Detroit. I have been to Yankee Stadium and Fenway Park, but seeing the Yankees, Red Sox, and Mets would be fun, too. At some point I would love to do a similar trip on the West Coast.

International Destinations — these are more about cultural exploration and good food, as opposed to nature exploration. With one obvious exception . . . .

1) Paris — I have been, but long, long ago. Nancy never has. Any trip to Paris would be coupled with a broader exploration of France that would include Aix-en-Provence, Avignon, the Loire Valley, and other destinations.

2) Scotland — Neither of us has been, and we are so eager to go. Castles, hiking, Scotch whiskey, haggis . . . . Well, okay, but the first three. Really.

3) South Africa — We would enjoy visiting Cape Town and Johannesburg, but most of all we want to do a photo-safari. And yes, Nancy is every bit as enthusiastic about this as I am, perhaps more so.

4) Greece — The isles more than Athens, though obviously we would spend time in the latter. But we are so eager to explore the various islands, to enjoy the cuisine and the beaches and the walking trails.

5) Portugal — Lisbon, Porto, and anyplace else we can reach. We have heard such great things about Portugal, we’ve even wondered if living there might be in our future.

6) Italy — This is another one I’m more excited about than Nancy is. But I would love to visit Florence and Tuscany for the art, architecture, and countryside. And I have a feeling the food and wine would win Nancy over before long . . . .

So, there are our current top choices. Where would you like to go? Let yourself daydream a little.

And have a great week.

Monday Musings: Missing a Missing Friend

We lived in Australia for a year back in the mid 2000s, when our daughters were in primary school. Alex, the older one, turned 11 while we were there. Erin turned 7. Both girls were already swimming competitively here at home when we went Down Under, and so we found a swim league that was affiliated with the university where Nancy was taking her sabbatical.

Early on in our time with the league we were befriended by a family who volunteered to help run the weekly swim practices, and who had a daughter who swam with our girls. Graham and Dianna — Di — were friendly, funny, and so incredibly welcoming to us. Laura, their only child, was a couple of years older than Alex, but that didn’t seem to matter to her. She loved our kids and she was great with them.

The first place we lived that year in Australia was near the university and near the school the girls attended, but our lease there was only for about half our stay, and we were set to move after the Christmas holiday. At our last swim event before the break, I was chatting with Graham, and he asked me what we had in mind for our holiday.

“Well, we’ll be traveling a bit, and then we need to move to a new place.”

“Oh, where are you moving to?”

“Up the coast a bit to Woonona.”

“Really? We live in Woonona. What’s the address?”

I told him, and he laughed. “That’s right around the corner from us.”

When we became neighbors, Alex and Laura began to spend a ton of time together, and their friendship brought our families even closer. Like me, Graham was an avid photographer, and also a guitar player. In fact, he lent me his guitar for the rest of our stay. We had meals with them, we went on day trips, we still went to swim of course. Graham and I became close friends. Near the end of our stay in Australia, we all went to the Warrumbungles, a mountain wilderness in New South Wales, north and west of Woonona. It was beautiful, and our two families had a marvelous week together, hiking, sightseeing, cooking, hanging out in the evenings.

Graham and DiGraham was incredibly generous, kind, whip-smart, fierce in his devotion to Di and Laura, and one of the funniest people I’ve ever known. He and Di were both school teachers, both utterly devoted to education, to serving their schools and communities. They were active in their unions. They were political. They loved nature, loved good food and good drink. They were, in short, a lot like us. We knew that we wanted to maintain our friendship after our return to the States. And we did. The following summer Graham, Di, and Laura came to the States for their winter holiday (Southern Hemisphere and all that) and stayed with us for several days. Another great visit. We had tons of fun, but Graham and I also spent a good deal of time talking. He had just lost his father, something I went through a decade earlier. I can honestly say that even though we were now living literally half a world apart, our friendship had only deepened.

We chatted via Skype regularly, we messaged via social media all the time. We compared notes every time one of us updated his collection of camera equipment. When we lost my brother Bill, in the summer of 2017, he of course offered his love and support.

Only a few months later, Laura sent me a message that devastated all of us. Earlier that day, Graham had died suddenly. A heart attack. Totally unexpected. A thunderbolt. I felt like I had lost another brother. To this day, I miss him all the time. The loss remains raw and painful all these years later.

Graham would have been 63 this past Saturday. Yes, on April 1, and don’t think he didn’t make the most of having been born on April Fools’ Day.

We visited Di and Laura and Laura’s partner, Brad, in 2019, while we were in Australia to see Erin, who had taken a semester there. We had a fabulous visit — conversation, laughter, great meals, a couple of hikes. There was nothing maudlin about our time together. But Graham hovered over everything we did.

It is the most painful of clichés that we don’t know what life has in store for us or the people we love. With my brother’s death, and with the planning for his memorial, which occurred only a couple of weeks before Graham died, I had been out of touch with Graham for a little while when he passed. My fault entirely, although he would have understood. But I have thought about him a lot recently because the second book in my upcoming series is set in Australia, and it is dedicated to Graham, as well as to Di and Laura. And I have long wished for one more chance to chat with Graham, to share something funny or tell him about a recent photo shoot. So instead, I am going to take some time today to reach out to other friends, people I haven’t spoken or written to in a little while, people I miss.

Because we never know.

Have a wonderful week.

Monday Musings: What Matters? Part I

When I was a kid, I always had an Etch A Sketch. Honestly, I’m not sure why. I sucked at it. I didn’t have the patience or the dexterity to create anything of quality on that silver-gray screen. I tried often enough, but I couldn’t manage to draw much more than squiggles and odd shapes. Still, what I always loved about Etch A Sketch was the ease of starting over. Lift the screen, give it a hearty shake, and the slate was blank again, ready for my next attempt.

As it happens, that is also what I love about New Year’s. I have always seen the turn of the calendar as an opportunity to give my routine, my goals, my emotional approach to life a hearty shake, and build them again from scratch. Yes, that’s a bit of an exaggeration, but it does capture the spirit of how I approach the holiday. Last year’s achievements and disappointments are done — I don’t want them to be either a source of discouragement or cause for complacency. I start each year with a blank screen. That’s the goal at least.

In the past, I made resolutions, an exercise I eventually decided was rather useless. Better, I decided, to set out goals and aspirations, to keep practices and habits that were working for me, and at least attempt to jettison those that weren’t. This may sound like semantics — what’s the difference between “resolutions” on the one hand and “goals and aspirations” on the other? To me, I guess, it’s the difference between attempting to draw something on paper with pen and ink, and making the attempt on an ever-erasable plastic screen.

With all this in mind, I begin today a series of posts that will span the next few weeks. The general idea of the posts is to answer a question that is deceptive in its simplicity: What matters to me?

Over the course of a year, or ten, or fifty, we pick up . . . stuff. I’m not speaking just of physical things — indeed, that sort of stuff is really the least of it. I’m referring to tasks; habits; pastimes and hobbies; ambitions and fears; passions, loves, and things we find repellent; professional goals and responsibilities; personal relationships; chores and obligations; etc. In short, anything and everything that consumes our time, feeds or saps our energy and our emotional strength, informs our decision-making at home or at work or in between. Everything.

As I say, this is going to take a few weeks to get through. But I think the exercise will be worthwhile for me and, I hope, informative and perhaps even inspiring for you.

Today, I begin with a big picture approach — the 10,000 foot view, as it were. And I do so by focusing on two examples of stuff.

As I take stock of 2022 and look forward to 2023, I see things in my life that I have neglected and others that I have focused on with too much intensity. I am a musician and a photographer. I take much joy in playing my guitars and taking my camera out into the field to capture images. That is, I usually do. As I reflect on the past year, which has been an emotionally challenging one, I find that I have neglected these hobbies. Too often over the past twelve months, I have gone days at a time without playing any music at all. I have gone weeks at a time without taking photos. And this is about more than leaving expensive equipment to gather dust. These pursuits feed my soul, allowing me to create in ways that are entirely separate from my profession. I need to do these things. I know I do. They keep me centered, happy; they bring me peace. My emotional health depends in part on my commitment to doing these things. Just as I wouldn’t go weeks without eating fresh fruits and vegetables, I also shouldn’t ignore my creative passions.

At the same time, I have allowed anger to creep into my everyday life. I harbor resentments — some personal, some professional, some related to circumstances that I’m really not at liberty to discuss publicly. And really, the roots of my anger are beside the point. Too often, as I take my morning walks, I find myself fixating on wrongs and the righteous anger I feel in response. I imagine finding and taking the opportunity to speak my mind to those who have hurt me or those I love. (That really is as far as my imaginings go. I’m not a violent person, but I know the power of words. And I know that I’m quite capable of cutting someone to the bone with a well-turned phrase.) The point, though, is that this anger, and these imagined conversations do me no good. They keep my focus on my grudges; they allow me to wallow in my bitterness.

Music and photography have been fundamental elements of my happiness for decades. Wouldn’t I be better off if I again found time to make those activities central to my daily existence? Of course I would.

Hostility toward those who have angered me matters far less to me than love for my family and my friends. Wouldn’t I be calmer, more content, if I focused my emotional energy on the latter? Of course I would.

What matters to me? What matters to you?

These are, I believe foundational questions. The things we care about — the things we love, the things from which we draw strength and joy — these are what define who we are and how we live. At least they ought to. As I navigate the coming year, I wish to be guided by those things that bring me happiness rather than those that take me to dark places.

Deceptively simple, right? And yet, it takes work and careful thought.

More in posts to come. For now, have a great week.

Professional Wednesday: What I Learned During a Recent Visit With Claude Monet

Last week, Nancy and I were traveling for her work, and we had the opportunity to spend a day and a half in New York City. We had dinners with our older daughter, we attended some university functions, Nancy had finance meetings, and I had part of a day to myself.

As I have mentioned here recently, I am trying to figure out where to go with my writing. (And allow me to take this opportunity to thank those of you who weighed in with opinions about what project I should take on next. Many of you want to see continuations of existing series — Thieftaker was the most popular request, followed by Fearsson and Radiants. Not surprisingly, the new project I mentioned as a possible choice received little love. The unknown is bound to attract less notice. But the most heartening element of the responses I received was the repeated assurance that you would welcome and read whatever I choose to tackle going forward. And for that, I am grateful beyond words.)

As I continue to grapple with this decision, I thought I might find inspiration in art, and so, on a bright, crisp Monday morning in New York City, I walked north along Fifth Avenue to 83rd Street and the grand entrance to the Metropolitan Museum of Art. I didn’t know precisely what I sought in the museum, but I trusted the instinct that drove me there. Much the way our bodies sometime crave certain types of food — salty snacks, or protein rich foods — so I believe our brains can crave input of a specific type. I felt a strong need to look at the beauty of creative endeavor.

Specifically, I wanted to see the work of the Impressionists and Post-Impressionists. Degas, Manet, Morisot, Cezanne, Pissarro, Cassatt, Van Gogh, Gauguin, and my favorite, Claude Monet. As a historian (and a camera bug), I find the development of Impressionism (in the latter third of the nineteenth century) fascinating. It coincided with the invention and popularization of photography. Suddenly, artists were freed from the need to create images that were accurate and lifelike. A photograph could do that. Instead, artists could begin to experiment with color, with light and shadow, with texture, with the self-conscious use of brushstroke and palette knife.

Claude Monet,  Rouen Cathedral: The Portal (Sunlight) 1894, Metropolitan Museum of Art, New York, New York
Claude Monet, Rouen Cathedral: The Portal (Sunlight) 1894, Metropolitan Museum of Art, New York, New York.

Monet was fascinated in particular with the way light and color changed from hour to hour, day to day, season to season. He painted series after series, experimenting with images of the same subject matter painted at dawn and dusk and midday. Haystacks on farms, poplar trees in the French countryside, water lilies, the Houses of Parliament and Charing Cross Bridge in London, and two of my favorite series: the façade of the Cathedral at Rouen, and the Japanese footbridge and pond at his home in Giverny.

Claude Monet,  Bridge over a Pond of Water Lilies 1899, Metropolitan Museum of Art, New York, New York
Claude Monet, Bridge over a Pond of Water Lilies 1899, Metropolitan Museum of Art, New York, New York.

Seeing these paintings last week filled me with joy, with a sense of calm and contentment. It was glorious. I lingered in the museum for hours longer than I had intended to.

But what does this have to do with writing? Why would it warrant discussion in a Professional Wednesday post?

Honestly, I am still trying to figure out the answers to those questions. But I think it comes down to this: Creativity demands that we reexamine those things we have taken for granted, the things we have accepted as routine. The daily dance of light across the front to a building, the shape and forms we see each day. But creativity also asks that, on occasion, we rethink everything about our art. Imagine having been trained as a classical artist in the mid-nineteenth century, only to have every assumption about visual art overturned by the invention of a light-capturing box.

In the course of my lifetime (and I’m not THAT old . . .), we have sent spacecraft beyond the pull of earth’s gravity and out to the edges of our solar system. We have created lenses capable of peering through space and time to the very beginnings of our universe. We have replaced the rotary phones that were wired into our homes with untethered devices that take pictures, monitor our finances, store our music, and handle computational tasks that used to challenge machines so big they needed to be housed in warehouse-sized spaces.

We have seen the impossible become consumer-ready, the fantastical turned mundane. And as storytellers, we have had to stretch to come up with ideas that will surprise and captivate and satisfy. That stretch doesn’t necessarily imply pursuit of the increasingly outlandish. Rather, I would argue, it has forced us to reconsider simplicity, to infuse the familiar with qualities that make us marvel or recoil.

And as I search for my next spark of inspiration, I find myself wondering what will be for me the literary equivalent of watching color and shadow transform a garden pond and the reflections of a footbridge. Once upon a time, I worried that I would run out of ideas for stories, that I would complete a series, only to discover that it was the last one, that my creative well had run dry. Now, as I approach the big Six-Oh, my fear is that I will run out of time before I have completed all the tales I wish to write. I’m don’t worry about failing to find a new idea; I worry about choosing the wrong one and wasting time on something I don’t love.

Late in his life, Monet began to lose his sight. And still he worked, learning to create images of power and beauty and drama despite seeing color and form with less clarity. Creativity finds a way. Inspiration carries us past obstacles both physical and emotional.

Maybe, ultimately, that was the reminder I needed when I stepped into the Met. I still don’t know what I’ll be writing next. I do know that the challenges in my life have not gone away and won’t anytime soon. But I am a creator, and I still crave inspiration. So, I will consider, and I will settle on a project, and I will share with you the stories that stir my passions.

And I wish you the same.

Keep writing, keep creating.

Tuesday Musings: This is Why People Post Photos of Kittens…

I am having a bit of a “If you can’t say something nice about someone, don’t say anything at all” moment right now. There are some things I would like to write about. I have a couple of rants percolating inside me. But no good will come of them. They are unlikely to make me feel better, and they are very likely to cause blowback.

I am back from LibertyCon, where I had a fun weekend. As always, I caught up with lots of old friends and made a few new ones. But I have to say that this year’s spring Con season, starting with JordanCon in April, and finishing with this weekend’s convention, has been more fraught than I would have liked. I won’t be heading to another professional event until DragonCon over Labor Day weekend, and I am deeply relieved to have a couple of months ahead of me without any conventions to attend.

A friend remarked to me over the weekend that everything in our corner of the publishing world feels more tense and dramatic than usual, and he’s right. Some of what has gone on is as serious as can be — issues of monumental importance. But some of it has resulted from the actions of opportunists seeking to turn the misfortune of others to their advantage. And some of it has been so childish as to defy comprehension. It’s like we have forgotten how to be adults, and are trapped in some God-awful episode of Star Trek in which aliens have caused all of us to regress and act like spoiled, self-centered teens. I don’t know if there ever was such an episode. There should have been. One more opportunity for William Shatner to over-emote . . .

Anyway, I could go on, but I am not willing to tread that road. As I say, it leads nowhere good.

This, I have come to realize, is why people post photos of kittens and puppies. Kittens and puppies are just what are needed in moments like these. Unfortunately, I have no puppies, and kittens make me sneeze.

But not so long ago, I posted about my new (at this point, new-ish) toy — my Sony RX10, superzoom camera. I have used it throughout the spring to take photos of birds and such, and I have accumulated quite a few good shots. And so I choose to fill today’s space with lovely images. This is not likely to make me feel much better, but I believe it will keep me from writing something stupid that will get me in trouble.

Prairie Warbler, by David B. Coe

My first image is of a Prairie Warbler, a bird that nests in this part of Tennessee. Warblers are notoriously difficult to photograph, largely because they’re hyperactive and usually prefer to hang out at neck-straining heights in the forest canopy. This one, though, proved quite cooperative.

Rose-breasted Grosbeak, by David B. Coe

Next, I offer this male Rose-breasted Grosbeak, who, with eight or ten of his best friends, cleaned us out of sunflower seed in about an hour one late-April afternoon. They are exquisite birds, but voracious eaters.Prothonotary Warbler, by David B. Coe

This is another warbler — far more unusual than the Prairie. It is called a Prothonotary Warbler and it is one of my favorite birds. Like all warblers, they are tiny — maybe six inches tip of beak to tip of tail — but their call rings through boggy, forested areas like a clarion.

Carolina Satyr, by David B. Coe

I know: this is not a bird. But it is beautiful. It’s a Carolina Satyr, a woodland butterfly that is quite common around here.

Ruby-throated Hummingbird, by David B. Coe

This Ruby-throated Hummingbird has been hanging out in our yard all spring, feasting on the sugar water Nancy puts out. We have at least two nesting pairs in the yard, and as the summer goes on and the young ones fledge and start to eat, the areas around the feeders turn into aerial war zones, with hummers buzzing everywhere, attacking one another, each trying to hog all the food.

Philadelphia Vireo, by David B. Coe

And finally, a Philadelphia Vireo, another unusual bird, one I only see occasionally. Some years I don’t find them at all. This year, I got lucky and saw several, including this cutie who allowed me to get a couple of good photos.

There! I feel better, don’t you? And I didn’t have to tick off anyone.

Enjoy the rest of your week.

Monday Musings: Giving Clueless Advice

This past week, I spent a good deal of time going through old magazines and books in my office trying to clear out some of the clutter. (More on that in Wednesday’s post.)

For years, I have subscribed to a nature photography magazine. Yes, it’s an actual paper magazine — I get an issue every month, and invariably each includes beautiful, glossy photographs — landscapes, portraits of wildlife, macro shots of plants or creatures — articles about different ways I might improve my craft (if only I had all the time in the world to devote to my cameras and lenses), and lots of advertisements for lots of equipment I can’t afford and don’t need. I look forward to every issue.

But one issue published a year or so ago had an article from a photographer who was trying to give advice to aspiring and amateur photographers about how they/we should deal with the pandemic. Since travel was hard just then, he said, we should concentrate on local sites, places we probably overlook on a day-to-day basis, but which might be beautiful in their own right, and thus might be worthy subjects for our next photographic outings. Great advice.

Except his example, based on where he lived, was Capitol Reef National Park, in Utah’s magnificent red rock country. THAT’S where he was going to take photos as a consolation for not being able to travel due to Covid restrictions. That’s a little like telling someone that since they can’t eat out in restaurants, they should settle for a home-cooked meal, like you do. And then revealing that your partner is a 3-star Michelin chef . . .

I somehow missed this article when the issue first appeared, and so got a good laugh out of it the other day.

But then I started thinking that for many people reading the advice I offer to budding writers, I might come off as equally out of touch.

Let me be clear. I don’t think ill of this writer, and I’m not sitting here thinking all the readers of my blog posts think ill of me. But I do think that for those of us who have achieved some success in a given field, it is often too easy to dispense advice, no matter how well-meaning, no matter how grounded in lived experience. I can suggest that writers experiment with this approach, or rethink that old habit, but the fact is sometimes the advice I give demands a commitment of time, or a certain amount of creative risk. And those sorts of practices are much easier for me to try than they might be for someone who doesn’t have a publishing history or a current contract for a book or trilogy.

Put another way, on some level I can’t help but write from a place of privilege and good fortune, and that may, at times, make me blind to the subtext of my advice and recommendations. So consider this a blanket apology for every time in the past I have given writing advice that I think sounds easy and basic, but that comes across as lacking in understanding or empathy for the experiences of writers at other levels. And consider it as well an apology for every time in the future when I do this again. Because I’m sure I will.

Don’t think for a moment I don’t know just how lucky I am to do what I do. And if in my eagerness to share advice or experience with you, I come across as clueless . . . well, as Nancy and the girls will tell you, it’s because sometimes I AM pretty clueless. But I love what I do. Twenty-five years-plus into this career, I still can’t quite believe I get to make up stories for a living. And I want that for others who have the same dreams I did when I typed “Chapter One” for the very first time.

I should also say that most of the advice I give in my writing posts is stuff I needed to hear in the early years of my career. I highlight mistakes I either used to make or still struggle with to this day. Sometimes I tell you to do things I am currently trying to make myself do. The wonderful thing about writing is that we can always improve. And the frustrating thing about writing is that we always need desperately to improve. We can start writing as young children and continue well into our dotage and still not learn all we need to about this magical craft.

And so I hope you will consider that when I offer advice and lessons on writing, I am there learning and striving right alongside you. Because I am certain I have yet to master beyond the capacity for further improvement any skill or practice about which I’ve written. We are, all of us, students of the written word, and we are still matriculating. How glorious is that?

Have a great week.

Monday Musings: Thoughts About My Upcoming Appearance at JordanCon

This coming weekend, I will be attending JordanCon in Atlanta. There I will see many friends — colleagues as well as fans. I will sell some books, talk about writing, both on panels and informally over drinks and meals, and catch up with people who have been out of my life for too long. We will all be masked, of course. The con organizers are taking no chances, and I’m grateful to them for that.

JordanCon will not be my first convention of the year — that was Boskone back in February. But somehow this one feels like the start of the convention season. It is the first of several appearances I’ll be making this summer and fall — JordanCon, ConCarolinas, LibertyCon, DragonCon, Hampton Roads Writers Conference, perhaps World Fantasy Convention.

And I have to say, I am more excited for this set of conventions and workshops than I have been in several years. I think part of it is my pent up need to interact with people, to be in a professional setting (as opposed to on a professional Zoom call). Another part of it is the simple fact that I miss my friends. For instance, I haven’t hung out with Faith Hunter in ages. And for those of you who don’t know, Faith is this year’s Literary Guest of Honor at JordanCon. I will be “interviewing” her at the Guest of Honor event Saturday morning of the convention. It should be tremendous fun. (11:30 AM — be there!)

I am, generally speaking, an outgoing person. I enjoy conventions. I enjoy talking to fans and discussing craft and business issues on panels. Since the pandemic began, I have struggled more than ever with my anxiety, and have found myself shying from contact with large groups. I’ve had to force myself to be social and I’ve battled nerves before the few events I have done.

In other words, I haven’t felt like myself, and I’ve hated it. I’m ready to be out in the world again, among people I know and care about and respect. I look at these upcoming conventions and such as more than professional obligations, more than promotional opportunities. They’re a step toward renewed emotional health.

Yes, that’s a lot to ask of a speculative fiction convention, and maybe I’m loading too many expectations onto JordanCon and other events. But really, I’m placing those expectations on myself. As I have said in other posts recently, this spring has been a time for me to come out of my emotional bunker. Life remains complicated for my family and me. On the other hand, as I look around, I see a world filled with people coping with issues of one sort or another. It used to be, when I found myself in the midst of trying times, I would look forward to “normal life” when the difficulties subsided.

I have come to realize there is no such beast. “Normal” as I envisioned it was a time without problems, without stuff going wrong. And that’s not realistic. “Normal life” is complicated in one way or another. Pretty much always. I don’t mean to sound grim. I’m not being Eeyore. Quite the opposite, actually. I’m finding that the hard stuff is a little easier to deal with when I understand that all of us struggle, that no matter how bad one part of life might seem at any given moment, I am not alone, and there is almost invariably another part of life that is good, great even.

This coming weekend, I will begin in earnest to put this perspective into practice.

For those of you who will be at the convention — and I hope to see many of you there — I will be on the following panels (with times and hotel venues):

“Economics of Publishing: How Does It All work?” — Friday, 8:30pm, Conference Center

“I’ve Written Something. Now What?” — Saturday, 10:00am, Conference Center

“Author Guest of Honor Spotlight: With GoH Faith Hunter” — Saturday, 11:30am, Dunwoody

“Outlining vs. Pantsing: What are the Benefits and Drawbacks?” — Sunday, 10:00am, Conference Center

“Pro-Tip: What I Wish I’d Known” — Sunday 1:00pm — Conference Center

Southern Red Trillium, by David B. CoeWhen I am not in these panels, I will be at my table in Author’s Alley, signing and selling books. I also plan to have with me some of the new photographic cards I wrote about recently. Please feel free to come by and say hello. Yes, I’ll be working, but I also welcome the chance to catch up. And maybe I’ll convince you to buy a book or two!

In the meantime, have a great week!

Creative Friday: My New Toy!

I have a new toy.

Sony RX10 Mk IVAnyone who has met me and/or read this blog knows I am an avid photographer. And I have a very nice camera, a digital SLR with several interchangeable lenses that I use for landscapes, portraits, macro, travel photography, and pretty much everything else. Pretty much.

The one thing I don’t do much with that camera, because I don’t have the appropriate lens, is bird photography. Now, the other thing readers of this blog know is that I am a dedicated (read: fanatical) birdwatcher and have been for most of my life. So I have long been frustrated with my inability to take good photos of birds.

In the past, I have balked at buying a big lens, capable of taking decent bird photos, for my DSLR. There have been several reasons for this. One, such lenses are expensive. Even the lens with the minimum focal length I would need (a zoom lens of 100-400mm) costs well over $2,000. There are off-brand versions that are decent but not great. These would run closer to $800.00. But they do not solve the second issue: Big lenses tend to be, well, big. They’re heavy and bulky, as is my DSLR, actually. Combine the big lens with the hefty camera, and you have something weighing about five pounds hanging around your neck or off your shoulder. I know myself well enough to question how often I would actually take such a rig out in the field.

So I have finally decided to go in a slightly different direction. I recently purchased a rather pricey new toy, the Sony RX10 Mk IV. This is a mirrorless “bridge” camera, meaning that it sort of straddles the line between a DSLR and a point and shoot camera. It weighs far less than my DSLR would with a telephoto lens. But it has a very good, very powerful, built-in lens, made by Zeiss, an excellent German optics company. This lens zooms from 24mm to 600mm, making it actually more powerful than the big, expensive lens I’d been considering. It also costs a good deal less.

The digital sensor in the camera is not as good as my DSLR, and I will likely never use this lens for landscapes. I am very picky about image quality, and am particularly uncompromising when it comes to my landscape photography. Birds, though, are tough to photograph to begin with, and I understand that I would likely get precious few razor sharp images with any camera and lens combination. And because this camera is so light and easy to carry, because it has a very strong stabilizing mechanism that keeps the image still and clear even when the camera is handheld, and because the sensor and lens are, while not perfect, very, very good, this is the perfect solution for me when it comes to birds. I take it with me on walks all the time, without hesitation. And I have gotten some very good photos already.

Below find some images I captured in Florida, around my birthday, when I was first learning to use the camera. As you can see, the quality of the images is quite good. They are sharp and the color is excellent. And I am having so much fun! I can finally take pictures of my feathered buddies, and I don’t have to carry the equivalent of an anchor around my neck. I’m very happy with my purchase. I do love my toys . . . .

Have a great weekend!

Least Bittern, by David B. Coe
Least Bittern, Wakodahatchee Wetlands, Florida, by David B. Coe
Pied-billed Grebe, by David B. Coe
Pied-billed Grebe, Wakodahatchee Wetlands, Florida, by David B. Coe
Green Heron, by David B. Coe
Green Heron, Wakodahatchee Wetlands, Florida, by David B. Coe
Red-shouldered Hawk, by David B. Coe
Red-shouldered Hawk, Green Cay Nature Center and Wetlands, Florida, by David B. Coe
Great Egret, by David B. Coe
Great Egret, Wakodahatchee Wetlands, Florida, by David B. Coe
Red-winged Blackbird, by David B. Coe
Red-winged Blackbird, Wakodahatchee Wetlands, Florida, by David B. Coe
Wood Duck Pair, by David B. Coe
Wood Ducks, Arthur R. Marshall Loxahatchee National Wildlife Refuge, Florida, by David B. Coe