Category Archives: Writing

Wednesday Musings: Big, Big News!

Yes, I’ve been quiet for a while. Things are okay. Really. More than okay, actually. But Nancy and I have been hella busy. With travel, with family stuff. But most of all with the big news that is the subject of this post.

Our new home in NY!!This [see the photo above] will soon be our new home. It is in New York’s Hudson Valley, near Albany, on six-plus acres of beautiful land, complete with gardens, fruit trees, and a small pond. More important, it is maybe twenty minutes from my brother and sister-in-law, is equally close to one of my dearest friends and his partner, and is within easy drives of many other friends and family.

We have lived in our current house for nearly twenty-six years, and in our small college town here in on the Cumberland Plateau for more than thirty-two. We raised our girls here, built a home, nurtured successful careers here, made friendships that will last for the rest of our days. Even as we have chafed at the backward, hateful politics of Tennessee, we have reveled in the state’s natural beauty and the friendliness of so many of its people. It is strange and a bit sad to contemplate our imminent departure from this home which we love. (Yeah, we still have to sell the place, but we’re hoping that won’t be too difficult.)

But the rightward tilt of the state, the Tennessee GOP’s fetishistic obsession with gun culture, and the legislature’s unrelenting assault on the rights of women, people of color, and members of the LGBTQ+ community have worsened significantly over the past few years. And, of course, since losing our older daughter, living in the house in which she grew up has become difficult to say the least. It is time for us to leave.

Nancy is deeply grateful to Sewanee: The University of the South for all the opportunities offered to her over the course of her academic career here. She has served in a variety of roles — assistant professor, associate professor, full professor, department chair, associate dean, associate provost, provost, and finally interim Vice-Chancellor of the University. She is the first biology professor to hold the William Henderson Chair in Biology and the first woman in the history of the university to serve as VC. She has loved working for the school.

And I have been so pleased to be part of the Southeast’s speculative fiction community for the past twenty-seven years. I have established wonderful relationships and have been welcomed at literally hundreds of conventions across the region, including many for which I have been designated as a special guest or guest of honor. In 2022, I received the Phoenix Award for Lifetime Achievement from the Southern Fandom Confederation. As I said, I have built a career here, and I will forever be grateful to the fans and colleagues who have become valued friends.

What’s next? What will life be like for us in New York? Well, it’ll be colder. There’ll be more snow. Nancy will be retired, but has plenty of interests and projects to keep herself busy and very, very happy. I intend to keep writing and editing, although I imagine my output will be somewhat lower than it has been in recent years. Then again, who knows. I have no shortage of projects I look forward to taking on. And given how much travel we want to fit in, I’ll need to make some money . . .

We will have more time with family, which will be wonderful. My college friend and I love playing music together, so I am hopeful that music, and even the occasional performance, will become a larger part of my life.

And we will continue to heal, to rely upon each other, and upon Erin, for love, support, hope, and laughter. It won’t be perfect, of course. Nothing ever is. But it is our next adventure, and we’re looking forward to it. I promise that we’ll keep you informed. In a social media sense, I’m not going anywhere.

Enjoy the rest of your week.

Professional Wednesday: My DragonCon Schedule!!

I will be heading to Atlanta tomorrow for DragonCon, and I am very excited, as I am every year as this event approaches. For those of you searching for me in the program, I am listed as D.B. Jackson, which makes me a bit trickier to find. So here is my schedule, in all its hectic glory! Hope to see many of you there this weekend!!

Please note, in addition to the items listed below, I will also be selling books at the Fantasy Gather on Friday night in the International Ballroom of the Hyatt. That event will run for much of the night and while I will have to duck out for my 8:30 panel, I will be there for the balance of the evening!

And note as well that I will also be signing books on Sunday at 6:00pm in the dealers’ hall at The Missing Volume!!

Title: Wizard of Oz 85th Anniversary

Time: Fri 11:30 am Location: L401-L403 Marriott (Length:1 Hour)
Description: It’s been almost a century since MGM’s tornado ripped through Kansas & whisked Judy Garland away to the Technicolor land of Oz. Join us for a retrospective on this cinema classic.
Panelists: Jer Alford(M), Ed Greenwood, D.B. Jackson, Brian D. Anderson, Violette L Meier

 

Title: Irish Mythology

Time: Fri 02:30 pm Location: L401-L403 Marriott (Length:1 Hour)
Description: The myths & legends of the indigenous Irish are some of the best preserved Celtic mythology we know of. Full of warrior kings, monsters, & gods, Irish mythology has influenced High Fantasy for centuries.
Panelists: Ryan Cahill, Bethany DJ Kesler(M), D.B. Jackson, Daniel Schinhofen, Constance G.J. Wagner

 

Title: Cooking with Science: Apple+ TV’s Lessons in Chemistry *Spoiler Alert*

Time: Fri 05:30 pm Location: Augusta Courtland Grand (Length:1 Hour)
Description: In Lessons in Chemistry, chemist Elizabeth Zott (played by Brie Larson) starts her own cooking show, which also educates its viewers on science. Our panelists will discuss the miniseries, how it’s different from the book, and the true history behind the story.
Panelists: D.B. Jackson, Mel Todd, Stuart Jaffe, Jenna Johnson(M), Jeni Green

 

Title: Geralt of Rivia, the White Wolf

Time: Fri 08:30 pm Location: L401-L403 Marriott (Length:1 Hour)
Description: Toss a coin to the protagonist of the Witcher franchise of books, games, & television adaptions. Inspired by Slavic mythology, Geralt wanders the Continent slaying monsters & solving problems.
Panelists: JM Paquette, D.B. Jackson, Kevin A. Davis, Rebecca Fant(M)

 

Title: A Song of Historical Inspirations

Time: Sat 10:00 am Location: L401-L403 Marriott (Length:1 Hour)
Description: While most High Fantasy is inspired by myths & legends, GRRM takes the unusual step of basing his stories on the real & very bloody histories of European monarchies.
Panelists: Jennifer Liang(M), D.B. Jackson, Milton J. Davis, Courtenay Cody

 

Title: The Adventure Begins

Time: Sat 05:30 pm Location: Embassy EF Hyatt (Length:1 Hour)
Description: New writers always ask, ‘Where do you get your ideas?’ Or ‘How do I get started writing a book or story?’ The years of experience racked up by our panel discussion will answer some of these questions – and more.
Panelists: Bill Fawcett(M), D.B. Jackson, Elizabeth Donald, Richard Fierce, James Palmer, Todd J McCaffrey

 

Title: Astronomical Phenomena in High Fantasy

Time: Sat 08:30 pm Location: L401-L403 Marriott (Length:1 Hour)
Description: Explore how stars, moons, & cosmic events shape fantastical worlds, influence cultures, & drive narratives in literature.
Panelists: Roy Kilgard, Bethany DJ Kesler(M), DL Wainright, Constance G.J. Wagner, D.B. Jackson

 

Title: Magical Artifacts & Items of Power

Time: Sun 10:00 am Location: Chastain 1-2 Westin (Length:1 Hour)
Description: Artifacts & imbued items have long been a staple of fantasy. Our panelists will discuss how they use this feature within their own work & how it has evolved over time.
Panelists: Jim Butcher, Richard Kadrey, Rachel Rener, D.B. Jackson, Carol Malcolm(M), Andrea Stewart

 

Title: Who Told the Characters They Could Do That?

Time: Sun 02:30 pm Location: Embassy EF Hyatt (Length:1 Hour)
Description: Are your characters driving the action in your books/stories? Should they be? Who’s the boss here, anyway?
Panelists: D.B. Jackson(M), Matt Dinniman, J.D. Blackrose, Stacey Rourke, S. L. Rowland, Tamsin L. Silver

 

Title: Favors, Bargains, & Schemes: The Fae in UF

Time: Sun 08:30 pm Location: Chastain 1-2 Westin (Length:1 Hour)
Description: In folklore & contemporary fiction, the Fae take various forms & have a wide range of characteristics & goals. Our panel of authors will discuss the depictions used in their work & how the variety of traits & features led to their choices.
Panelists: Sarah J. Sover, Jim Butcher, Rachel Rener, D.B. Jackson, Jennifer Blackstream, Carol Malcolm(M)

Monday Musings: A New Anthology and Submission Advice For Writers

By now you might have seen the posts across several social media platforms: There is a new Zombies Need Brains Kickstarter campaign underway. For eleven years now, ZNB has been publishing quality short fiction from teams of established professionals and new voices found through open calls for stories. We’re doing three anthologies this year, and before I get to the advice part of the post, I wanted to take a bit of time to tell you about them.ZNB Kickstarter image

The first anthology is Were- 2, and is edited by Joshua Palmatier and S.C. Butler. The original Were- anthology came out in 2016, and featured stories about were-creatures other than werewolves. This new anthology has a similar theme. I wrote a story for Were-, one I still love, called “A Party For Bailey.” For my were-creatures I chose bears, and that’s all I’ll say. I’m sure you’ll love Were- 2 — its anchor authors include Randee Dawn, Auston Habershaw, Gini Koch, Gail Z. Martin and Larry N. Martin, Harry Turtledove, Tim Waggoner, and Jean Marie Ward.

This year’s second anthology is Skull X Bones. It’s a pirate anthology that I will be co-editing with Joshua. We will be looking for speculative fiction stories of any sort (fantasy, paranormal, science fiction, horror), as long as they focus on pirates. Our anchor author lineup includes Rod Belcher, Alex Bledsoe, Jennifer Brozek, C.C. Finlay, Violette Malan, Misty Massey, and Alan Smale.

Finally, Joshua will be solo editing a follow up to the Ampyrium anthology that was published earlier this summer. Ampyrium is a shared fantasy world that debuted in seven novella-length stories written by Patricia Bray, S.C. Butler, Esther M. Friesner, Juliet E. McKenna, Jason Palmatier, Joshua Palmatier, and me. The new anthology, Ampyrium: Merchant War, will have anchor stories from all seven of us, plus another seven stories (or so) from an open call.

So, as a long-time ZNB editor (Skull X Bones will be my sixth ZNB anthology), and a longer-term ZNB author (in addition to those I have edited, I have written for a half dozen ZNB anthologies), what advice can I offer to writers hoping to sell stories to one collection or another? Each ZNB anthology receives literally hundreds of open call submissions. Usually we take seven or eight stories. So you want your story to stand out in good ways.

1) Pay close attention to the anthology themes. When we ask for stories written, say, about pirates, that doesn’t mean the story should merely mention pirates or have one corsair as a background character. It means pirates, of whatever sort, should be so central to the story that without them, the narrative does not exist. For an anthology like Ampyrium: Merchant War, you should probably plan to read some or all of the first anthology, to familiarize yourself with the setting and the themes of those original tales. Speaking as an editor, I can tell you that I reject more stories for not being on theme than for any other reason.

2) Read the submission guidelines. This is important for ANYTHING you submit to any market. All editors are swamped with stories and short on time. We want to find great stories, obviously, but we also want to get through our slush piles. When I get a story that’s written in a tiny font, or that is single-spaced (which makes a story MUCH harder to read), or has wonky margins, or a weird font color, I tend to start reading it with a negative attitude. The writer in question has already ticked me off by ignoring the guidelines, and now I’m looking for one more reason to reject the story and move on to the next one.

You don’t want that. You want to do everything right in terms of formatting and following directions, so that I read the story with an open mind, so that I accept or reject the story purely based on the quality of the writing and narrative elements. Follow. The. Guidelines.

3) Proof your story. Then proof your story. And then proof your story again. Look, typos happen. All of us who edit for ZNB are also professional writers. We all have typos in our own books and stories, and chances are we could read through them 100 times and still not catch every little error. But that said, again speaking as an editor, finding two or three typos on the very first page is much like receiving a story that didn’t follow the GLs (see above). It makes me wonder if the author of the story cared enough to edit. Taking pride in our work means, in part, making our manuscripts as clean as possible.

4) Think about your narrative — and how it relates to the theme — as broadly as possible. Joshua has said, in offering advice on panels, “Your first idea is not necessarily your best idea.” And he’s right. Sometimes, a great idea comes to us immediately. Those moments are magical, but relatively uncommon. More often, our first idea is the most obvious one, which can mean that it will be similar to the ideas of lots of other writers submitting to the anthology. Let your ideas for your story steep a bit. Give them time to take you in truly innovative directions.

5) Develop your ideas. My second most common reason for rejecting a story is that the idea of the narrative failed to move beyond just that: an idea. A story is more than a cool premise. A story is about characters, be they human or fantastical or alien. A story brings some sort of change or progress to the lives of those characters or to the world around them. If your synopsis of the story you’re submitting doesn’t include something about characters, their lives, and the way things change for them, chances are you need to rethink your story. And I would add this — generally speaking, if the word count of your story is under 2,500, it probably needs more development. We rarely take stories that are shorter than that, not because we want you to pad your word count, but rather because it takes time to develop a plot into something more than an idea.

The open call for stories for this year’s ZNB anthologies will begin soon after the Kickstarter ends. So, first things first: We have to fund the projects. We are already a quarter of the way to our goal, which is great. But we still have a long way to go, and we need your help!!

Thanks, and have a great week!

Monday Musings: Checking In, With Further Thoughts On Grief

I’ve been traveling a lot this summer — hence my inconsistency when it comes to posting. Generally the travel has gone well, and visits with friends and family have been wonderful. Whether in personal settings or professional ones, I have felt valued and loved, seen and supported. I can’t ask for more.

I am still on the same journey I have been on for the better part of a year. Grief, I am learning, doesn’t ever go away. It changes, it eases and spikes and eases again, it becomes part of us, redefining who we are and how we interact with the world, with the people in our lives, with ourselves.Alex

Months ago, I wrote that I would not wish to stop grieving. We grieve because we loved and because we remember. Grief is how our hearts and minds remain connected to those we have lost. I continue to believe this.

I am no stranger to grief; I’ve dealt with more loss in my life than I would have liked. We lost my mother and father when I was still in my early 30s. We lost my brother Bill far too early. And, of course, we lost Alex — the cruelest cut of all. In the past, I fought my grief, trying to hold it at arm’s length, fearing that to embrace it would be to surrender. The thought of that surrender terrified me. What if I couldn’t pull myself out of my sadness? What if the loss overwhelmed me?

This time around, I didn’t have a choice. The loss was too great, the pain too consuming. Had I not surrendered to it, I would have broken in half, like a tree trunk snapped off by a straight-line wind. Yes, there is an echo here of Aesop’s fable, “The Oak and the Reed.” A better analogy for my purpose is standing in the surf. I’ve never been a confident swimmer, and I used to hate swimming in the ocean because I would try to stand against the force of breakers. Only when I learned to body surf and to dive through waves did I start to love going to the shore. It was a lesson the girls picked up on quickly, and some of my fondest memories are of swimming with Nancy, Alex, and Erin during our annual beach vacations.

Grief is a huge wave. Only when I allowed it to wash over me and carry me where it would, did I come to understand that I could surrender to it without drowning.

Something else I’ve learned about grief — and another analogy to explain it: Our emotions have needs, just as our bodies do. And often we have to listen to our thoughts and feelings to understand what those needs might be. You know that feeling when you’re suddenly hungry for something very specific — a piece of fruit, or some meat or cheese, or a savory snack. That is our body’s way of telling us that it needs a certain type of nutrition — sugar, protein, salt. We learn to trust those cravings and to cater to them.

My emotions, and perhaps yours as well, work much the same way. There are days when I need to be with other people. There are days when I want to be alone. There are days when I crave work and others when writing and editing are the last things I want to do. One day I wanted to get a tattoo. Another day — Alex’s birthday, actually — I needed to hike and birdwatch on my own. I walked eleven miles that day. I have learned to listen to my grief, to honor it, to let it guide me through the roughest days.

So, how am I doing? I’m asked that a lot. Still. I don’t mind at all. I understand that the question comes from concern and from love. And the truth is, nine months on from the hardest, worst, most brutal thing that has ever happened in my life, I am all right. I won’t say I’m doing great. I don’t think you’d believe me if I did. But I am living my life, savoring time with the people I love most, doing the little things that I enjoy and from which I draw strength and peace. I have bad days, of course. But I get through them. And I’m finding there are fewer of them now than there were in the fall and winter.

It occurs to me as I write this that I have been listening to some new music lately. New to me, I should say. The lyrics aren’t particularly deep and the musicianship isn’t all that flashy. It’s kind of the musical equivalent of peanut butter and pretzels — a bit of protein, more substance than, say, gummy worms. But no one would confuse it for gourmet fare. It matches my mood in a way. I am not ready to go back to the tunes from which I have usually drawn emotional comfort. There is too much baggage in that music. Too much pain. Too many associations. And so these new songs are what I’m using to get through right now.

One last analogy to explain where I am with my grief at this point in time.

Thanks for reading. Have a great week.

Monday Musings: Introducing the Toothbrush Principle

We have a Sonicare toothbrush — one of those rechargeable ones that vibrates, like, a trillion times per second and essentially buzzes plaque and tartar into submission. (That might not be exactly the science behind the technology, but that is certainly what it feels like.) The toothbrush has a built-in timer that changes the tone of the buzz every thirty seconds, to let us know it’s time to abuse a different part of our mouths (top front, top back, bottom front, bottom back, or whatever) and so we generally brush for about two minutes every morning and every evening. (Stick with me; there is a point to this.)

If we do the math, two times a day at two minutes per brushing comes to twenty-eight minutes per week, or 1,460 minutes of brushing per year. That’s twenty-four hours and twenty minutes. So, put another way, each year, we spend the equivalent of one entire day brushing our teeth. We can do calculations like this for all sorts of things. I do a workout each weekday morning before I take my morning walk. That workout lasts about forty minutes and I do it five days a week (except for when I’m traveling). So, that’s 200 minutes a week for, let’s say, forty-five weeks out of the year. That means I spend the equivalent of slightly more than six full days a year working out, just so that I can eat a bowl of ice cream at the end of the day and not feel too guilty about it.

But for the purposes of this post, let’s stick with the toothbrushing example. Assuming, of course, that you’re still reading. Certainly by now you’re wondering what the hell this is about.

Allow me to explain.

Speaking with beginning writers at conventions (as I did at ConCarolinas a week or so ago) I often hear that they are ready to start work on a novel, but they worry about carving out time in their already-busy lives for a big project. Such an endeavor feels overwhelming, frightening, impossible.

The Loyalist Witch, by D.B. Jackson (Jacket art by Chris McGrath)And in part, this is the fault of professionals like me, who talk about our work habits and, perhaps, create unrealistic expectations that writers with less experience then apply to themselves. I write full time. I demand of myself that I write 2,000 words per day. I am asked often how long it takes me to write a book, and the honest answer is that it takes me about three months, which is pretty quick, I know. Writers who are at the outsets of their careers should not necessarily expect to do the same.

Because I didn’t always write this fast. For the first ten years of my career, I was pleased to complete a book a year. And that pace is much easier to maintain than you might think. Let’s do a bit more math.

The Chalice War: Sword, by David B. CoeWe’ll begin with the assumption that the book we’re writing will come in at around 100,000 words, which is the approximate length of most of the Thieftaker books, the Chalice War books, and the Fearsson books. Epic fantasies tend to be somewhat longer; YAs tend to be shorter. But 100K is a good middle ground.

Let’s assume as well that at most we can afford to devote an hour a day to writing. And in that hour, we can only expect to write one page — about 250 words. That pace may sound way too slow, and you may be saying to yourself that at that rate we’ll be writing forever.

Well, no. At that pace, even allowing for missed days along the way, we can be finished with our 100,000 word novel in a little over 13 months. If we can up our production to five hundred words a day just on weekends, we can be done in closer to eleven months, under a year.

Feeling more ambitious? Say we can write for ninety minutes each weekday, and can manage to average 500 words a day, while taking our weekends off to recharge. Well, now we’re writing 2,500 words per week, and that novel will be done in less than nine months. Willing to write on weekends, too? Now we’re down to seven months.

I can go on, but by now you get the idea. Applying the toothbrush principle — which says simply that small efforts on a daily basis add up quickly — we can transform the very idea of writing a novel from something daunting — a challenge that feels too huge to tackle — into something manageable, doable.

Now, to be clear, I am not suggesting that anyone exchange brushing their teeth for writing. The day is long enough to get both done. And four out of five dentists surveyed tell us that the world will be a better, fresher place if we all continue to brush our teeth . . . .

Have a great week!

Monday Musings: A Wonderful Return To Convention-ing

I spent this past weekend at ConCarolinas in Charlotte, reconnecting with fans, colleagues, and friends. And it was great.

The last con I attended was DragonCon at the end of August/beginning of September 2023, before the fall and all that came with it. Since that time, I have largely avoided crowds of people and interactions with even some close friends. I shied away from personal contact with pretty much everyone. It has just been too hard.

And so resolving to attend this con was a big deal for me. I put it on my professional calendar early in the year, committed to it, both internally and publicly. Honestly, I wasn’t sure it was something I wanted to do, but I knew it was something I should do.

All of which made this past weekend such a wonderful and surprising pleasure. Yes, I sold a good number of books — it was one of my best ConCarolinas ever in that regard. But more than that, it simply was wonderful to see people, to talk about writing and publishing, to laugh with friends who have been absent from my life for far too long.

Throughout the weekend, I was touched by the number of people who wanted to offer condolences, words of comfort, hugs of support. I was grateful again and again for the expressions of sympathy, and then for the efforts made by people around me to treat me as they always have — with affection and kindness, but also with irreverence and snark. A weekend that I feared would be awkward and challenging turned out to be fun and refreshingly natural.

It was, in short, exactly the convention I needed and wanted it to be. I have a great many people to thank for that, and I am not going to try to name them here. It’s not that they don’t deserve to be mentioned and thanked individually. They really, really do. But I am destined to forget someone important, and thus do more damage than good with such a list. Suffice it to say that if we shared a moment (or more) during the weekend — if we had a meal together, or a drink, or a panel, or a conversation; if you stopped by my book table to peruse my offerings or buy something or ask me a question about writing; if you had a role in making the convention such a great success (despite broken escalators and hobbled elevators and malfunctioning thermostats) — I am deeply grateful to you. Thank you.

Have a great week.

Monday Musings: “What’s Next?” Well, How About Some Big News?

“When I ask ‘What’s Next?’ it means I’m ready to move on to other things. So, what’s next?” — Jed Barlet, THE WEST WING

Yeah, I will seek out almost any excuse to quote from The West Wing, it being my favorite television series of all time. But as it happens, this is a question that’s been on my mind for a while now. In the show, “What’s next?” was more than a change of topic or a jump to the next agenda item. It was also used to turn the page after a setback, to refocus the staff after a triumph, even to look for a new beginning after tragedy.

As is the case with so much that happens in the course of the show’s seven seasons, the quote has long had great significance for me, and this is especially true now.

I know better than to think I can “turn the page” or “move on” from the past year. And even if I could, I’m not certain I would. But I am ready to restart my life, to venture back out into the professional and personal world, to find a new routine that makes room for all the emotional complexity of the new reality my family and I face.

In some ways, I have already started this process. I finished a book a few weeks ago, one I started back in January. It was sort of a work-for-hire, tie-in book, but it was fun to write. The plotting and character work proved absorbing, and because I started it later than I intended, the deadline kept me focused, motivated, and, yes, just a little manic. If it seems like I am avoiding telling you anything specific about the book itself, that’s because I am. Sorry. For now, I can’t really talk about it. When I can, you will all be among the first to know.

I have also written a novella for a new shared-world anthology that will be released this summer by Zombies Need Brains. And, as some of you have seen, I am again accepting clients for my freelance editing business. At the end of this month, I will attend ConCarolinas, my first convention since DragonCon last September. Baby steps. But steps forward, which is the point.

Today, I can also share some news about What’s Next that I think will please a good many of you.

First a little background.

Many of you will have seen my blog post about the trip Nancy and I recently took to Italy. If you haven’t, you should check it out. For the photos, if nothing else. While we were in Venice, I fell in love with the city’s narrow lanes, ancient bridges, and gorgeous architecture. It is, visually speaking, the loveliest city I’ve ever seen. And there are no cars — all travel within the city is by boat, by foot, or by bicycle. Walking the streets was like a journey back in time.

Street sign in Venice: "Rio Terra Dei Assassini"
Street sign in Venice: “Rio Terra Dei Assassini,” which means, basically, “Street-That-Used-To-Be-A-Canal Of The Murderers.”

We took tours of the Doge’s Palace and Saint Mark’s Basilica (both were spectacular), and one of our tour guides mentioned that while Venice is a very safe city today, once upon a time it was anything but. And as proof of this, she said, we should pay attention to some of the street names. “Street of the Dead,” “Lane of the Murderers,” “Street of the Head” (that’s not a typo), and more.

And, of course, this set my writer brain in motion. One thing led to another, and I can tell you now that I am beginning work on a new Thieftaker universe series set in 18th century Venice. I don’t know yet if it will be a spin-off or will feature Ethan throughout. I don’t even know how I am going to get Ethan to Venice, though I have some ideas about that. But I have already commenced my research for the books and I am totally jazzed. One publisher has already expressed interest in seeing a series proposal, so that’s good as well.

Thieftaker, by D.B. Jackson (Jacket art by Chris McGrath)What about the rest of my life? What’s next in other realms?

Well, we’re about to start doing some work on the house — I won’t say it’s overdue, but it comes at a good time. We have more travel planned for later in the year and several weddings to attend this summer and fall. We’ll see Erin. We’ll see other family and many friends. I’ll be at DragonCon late this summer. And we’ll continue to heal, even as we also look for ways to honor Alex’s memory and celebrate her life.

I look forward to crossing paths with many of you in the months to come. We have some catching up to do.

Have a great week.

Monday Musings: It ALWAYS Feels Good To Finish a Book

I could have ended this post at the title. That really is the point. I have been writing fiction for close to thirty years. I have finished more than thirty novels and as many pieces of short fiction, and yes, each time I complete the first draft of any story, it feels great. Kind of like completing a good workout or reaching the summit on a lengthy hike.

So, what is this new, just-completed novel about?

Well, I can’t really tell you that. I am co-writing with someone — a person of some celebrity who came up with the story concept but left much of the writing to me. Someone who, I will be honest, paid me rather well. And someone who, for now, would rather I said less than more about the story, the book, and our partnership.

I’m fine with that, but it does mean that I can’t answer questions. I’m sorry to keep secrets. Really.

I can tell you that finishing this particular book has felt better than most. In part, that is a consequence of all that my family and I have been through. I finished a novella for Joshua Palmatier at Zombies Need Brains earlier this year, and I’m pleased with how that came out. But this more recent project felt big when I started it. I didn’t know if I was up for writing a full novel.

And it is always a challenge to write in someone else’s world, bringing to life someone else’s characters and plot lines. (As it happens, the Zombie Need Brains story was written in a shared universe, so both of the things I’ve worked on this year have been not entirely my own.) On the one hand, when writing in someone else’s sandbox, I want to honor the creative vision of the person or people who conceived of the world and characters. I feel a sense of responsibility to the original idea and source material (in this case, a script). At the same time, though, I also NEED to feel some ownership in the project. I want to have a creative stake in what I’m writing. Otherwise, the work has no emotional or artistic appeal, and my writing winds up sounding flat.

As many of you know, about fifteen years ago, I wrote the novelization of a script for a major motion picture (I would rather not be more specific . . .). It was a difficult and, frankly, unpleasant process, in large part because I was given no freedom to create. I had to stick to the exact dialogue and narrative presented in the script. I could do some internal monologue, but that was all. This new project was VERY different. My co-writer gave me a good deal of freedom to write the story as I thought it should be written. As this person pointed, movies and their books are often very different. They were fine with that being the case here.

As a result, the book proved to be a great way for me to work my way back into writing after last year. A good deal of the emotional content was already spelled out in the original source material, meaning I didn’t have to do a deep dive into my own emotional world, which I am not yet ready to do. But I could add in some new content, some different characters, some different points of view. And in so doing, I could put my own creative stamp on the finished product. Which I did, quite well, I believe. The resulting story really is a collaboration, a blending of artistic visions.

What’s next for me professionally?

I’m not sure yet. Nancy and I have some travel planned for this year, as well as some long-deferred work on the house and yard. And so I think I will probably take a little break from writing fiction while we tend to other parts of our lives. But that is not to say I don’t have ideas for new stories. I do. I have Thieftaker ideas, I have an old series that I still intend to reissue sometime fairly soon, I even have Fearsson ideas. And I have ideas for stories in universes not-yet-created-or-explored. So, stay tuned.

And thank you for your patience.

Have a great week.

Monday Musings: How Am I? Well, It’s Complicated…

Back in November, just a few weeks after the death of our older daughter, I wrote of the difficulty I regularly encountered answering the question, “How are you doing?” At the time, my emotional state was a moving target. I didn’t know how I was doing. Not day-to-day, not hour-to-hour. I was as changeable as mountain weather, as fragile as ancient parchment, as vulnerable as a newborn. I was all over the place.

David and daughter AlexIt has now been nearly five months since we lost Alex. I still get the same question — and to be clear, I don’t mind being asked. Not at all. It’s just that I still don’t know how to answer. My friends tell me that five months is nothing, that there is no reason I should have a handle on my emotions already. My therapist says the same. I suppose I should listen to all of them. But I grow impatient with myself. I make my living with words and with emotions. The core of my art is conveying the emotional state of my point of view characters. It’s practically the definition of what a fiction writer does.

And I cannot manage to put into words what I am feeling. Worse, I can’t even explain it to myself. I had a birthday this past week. And birthdays, holidays — those can be tough when grief is fresh. I will always miss hearing from Alex on my birthday, but this was the first one without her, and the sense of loss was particularly keen. (Alex’s birthday is in early May, and already I dread its approach.) But I also had a good day. I had wonderful conversations with family and friends, a lovely dinner with Nancy. And yes, I had comforting memories of conversations with Alex on previous birthdays.

How was I doing that day? I have no idea. Great. Terrible. Okay. Not so well.

I wrote about grief just after New Year’s. Actually, I’ve written about grief a lot in the past year, but in that post in particular I wrote in praise of grief. “We grieve because we have loved,” I said. “We grieve because we remember. And while the ache of our grief dulls and lessens with time, we never stop grieving. Nor would we want to.” I hold to that still. But neither do we want to become mired in our grief. Is that what’s happening to me? I don’t know. Helpful, right? Maybe now you’re starting to grok my frustration.

In the older post I mentioned in the opening graph, I worried about those moments — fairly frequent — when I felt numb. At times more recently, I have felt as though I am emerging from that numbness. And then I’ll find myself back there again, and I’ll have no idea how I got there or when it happened. Memories still ambush me, surprising me with their vividness, stealing my breath, leaving me unable to do much of anything. No, I don’t want to stop grieving. Except when I do. Because, yes, there are times when I wish I didn’t have to grieve at all, when I’m just so tired of feeling this way, whatever “this way” might be. And then another memory warms me, brings a smile, reminding me that grieving really is better than forgetting.

I don’t think the problem is that I haven’t made any progress. I’m not sure there’s a “problem” at all. As I say, friends, family, and people who should know tell me my state of mind is pretty normal for what is an extraordinary circumstance. And then they remind as well of what I already know: There is no “normal” for something like this.

The point of all this? Well, one point is, please don’t stop asking how I’m doing. Really. I appreciate the love and concern behind the question. And the other point is, when I answer with a shrug and an “I’m not really sure,” know that I’m not being evasive. I’m being honest.

Finally, the greater point is that the answer to “How am I doing?” is as complicated and long as a novel, as a relationship, as a parent’s love for his child. I am doing all right, except on those days when I’m not. I am getting work done, except for those times when I can’t. I am eating well, exercising, taking care of myself, letting Nancy take care of me, and doing my best to take care of her. I am not curled up at the bottom of an empty bourbon bottle. I am not spending eighteen hours a day in bed. I am not paralyzed with loss and sadness. But neither am I the embodiment of emotional health. If I was, I think I’d have cause to be worried.

How am I?

I’m okay, thank you for caring. How are you?

Monday Musings: The Power of Dates, the Power of Memory

Alex Today is the 22nd of January. It’s been exactly three months since our older daughter passed away.

I didn’t used to care about the 22nd of any month (my apologies to those with a birthday on one 22nd or another — nothing personal). Now, I can’t help but notice every one.

I have a head for dates. Maybe it’s a byproduct of having been trained as a historian; I don’t know. Many, many years ago, on a June 5th in the 1980s, I think, my father told me that day was the anniversary of his first date with my mom. I have remembered this ever since, and on that day, I find myself thinking of them, of how cute they were together, of the different silly ways they expressed their love.

Some in our family have made things a little easier in the date-remembering regard. My grandmother on my father’s side, who adored my mother 99% of the time, died on my mom’s birthday. Coincidence? Perhaps. A final act of passive aggression from a mother-in-law? Also possible. And so maybe it wasn’t all that surprising that my mother died on the birthday of my brother’s wife, whom she adored. Yeah, that coincidence thing is looking a little less likely now, isn’t it . . . ?

I know — I’m bouncing all over in this post. I started off with a very somber remembrance of my lost, beloved daughter, and now I’m cracking wise about mothers-in-law. Grief and humor. To my mind, we can’t survive the former without the latter. And, the fact is, speaking as a creator, while death is often tragic, it can also be a wonderful source for cathartic humor. Have you ever seen the Chuckles-the-Clown funeral episode of The Mary Tyler Moore Show? If not, do yourself a favor and watch it. Brilliant stuff.

As I said before, I have a mind for dates. But we also live in a society that remembers. December 7, 1941. November 22, 1963. September 11, 2001. Specific dates insinuate themselves into our lives, taking on significance in a variety of ways. Birthdays of family and friends, wedding anniversaries, days of loss, days of joy. I made the mistake once, when setting up my LinkedIn account, of choosing a date on which I began my writing career. I don’t know if it’s the right one. The site asked, I remembered the month and year, and so I threw in a day. Now, I get flooded with work anniversary notifications from LinkedIn on a date that has absolutely no significance for me.

At times, if, say, I’m on a highway and I see an accident by the side of the road, I can’t help but think that, for the people involved, this will forever after be “the day of the accident.” A weird way of thinking, I suppose. It’s my writer brain. There is a story there, a spiral leading to the crash, and then continuing beyond it into the aftermath. The accident might have been the result of random chance occurrences, but we are creatures of narrative, and it’s quite possible that in the minds of the accident victims, those random occurrences will, in hindsight, rightly or wrongly, be seen as a storyline of interconnected events.

Sometimes events become confused by perspective. I remember the day (and time) on which Alex informed us of her cancer diagnosis. But she actually needed a couple of days after that fateful conversation with her oncologist before she could tell Nancy and me. So the actual date of the diagnosis itself is not the day I remember. It doesn’t matter in any way. And yet, the dates themselves, and the very existence of that small gap, carries significance. It is a symptom of her fierce independence and her desire, even under those extraordinary circumstances, to protect us, to deliver this painful news with her composure intact, so that she could put on a brave face and thus cushion the blow a little.

Dates tell a story.

I have no greater point. Not really. I call these posts musings for a reason. It’s the 22nd, and this is what I’m pondering today.

I will close on a more positive note, however, and in doing so will echo my father. Of course I remember my wedding anniversary, and the anniversary of Nancy and my engagement. But I also recall, and always remark upon, the anniversary of our first date. Sort of. We had two first dates, as it happened. The first didn’t take. The second one, the one that counts, was February 24, 1989. Yes, there’s a story there as well. Another time, perhaps.

Have a great week.