The title speaks for itself. These are recent epiphanies I’ve had. Some are profound others less so. Enjoy.
Last weekend, at ConCarolinas, I was honored with the Polaris Award, which is given each year by the folks at Falstaff Books to a professional who has served the community and industry by mentoring young writers (young career-wise, not necessarily age-wise). I was humbled and deeply grateful. And later, it occurred to me that early in my career, I would probably have preferred a “more prestigious” award that somehow, subjectively, declared my latest novel or story “the best.” Not now. Not with this. I was, essentially, being recognized for being a good person, someone who takes time to help others. What could possibly be better than that?
Nancy and I recently went back to our old home in Tennessee for the wedding of the son of dear, dear friends. Ahead of the weekend, I was feeling a bit uneasy about returning there. By the time we left last fall, we had come to feel a bit alienated from the place, and we were constantly confronting memories of Alex — everywhere we turned, we found reminders of her. But upon arriving there this spring, I recognized that I had control over who and what I saw and did and even recalled. I avoided places that were too steeped in hard memories. I never went near our old house — I didn’t want to see it if it looked exactly the same, and I really didn’t want to see it if the new owners made a ton of changes! But most of all, I took care of myself and thus prevented the anxieties I’d harbored ahead of time from ruining what turned out to be a fun visit. I may suffer from anxiety, but I am not necessarily subject to it. I am, finally, at an advanced age, learning to take care of myself.
Even if I do not make it to “genius” on the Spelling Bee AND solve the Mini AND the Crossword AND Wordle AND Connections AND Strands each day, the world will still continue to turn. Yep. It’s true.
I do not know when or if I will ever write another word of fiction. But when and if I do, it will be because I want to, because I have a story I need to tell, something that I am certain I will love. Which is as it should be.
The lyric is, “She’s got electric boots/A mohair suit/You know I read it in a magazine.” Honest to God.
I am never going to play center field for the Yankees. I am never going to appear on a concert stage with any of my rock ‘n roll heroes. I am never going to be six feet tall. Or anywhere near it. All of this may seem laughably obvious. Honestly, it IS laughably obvious. But the dreams of our childhood and adolescence die hard. And the truth is, even as we age, we never stop feeling like the “ourself” we met when we were young.
Grief is an alloy forged of loss and memory and love. The stronger the love, and the greater the loss, and the more poignant the memories, the more powerful the grief. Loss sucks, but grief is as precious as the rarest metals — as precious as love and memory.
As a student of U.S. History — a holder of a doctorate in the field — I always assumed that our system of government, for all its obvious flaws and blind spots, was durable and strong. I believed that if it could survive the War of 1812 and the natural growing pains of an early republic, if it could emerge alive, despite its wounds, from Civil War and Reconstruction, if it could weather the stains of McCarthyism and Vietnam and Watergate, it could survive anything. I was terribly wrong. As it turns out, our Constitutional Republic is only as secure as the good intentions of its principle actors. Checks and balances, separation of powers, the norms of civil governance — they are completely dependent on the willingness of those engaged in governing to follow historical norms. Elect people who are driven not by patriotism but by greed and vengeance, bigotry and arrogance, unbridled ego and an insatiable hunger for power, and our republic turns out to be as brittle as centuries-old paper, as ephemeral as false promises, as fragile as life itself.
I think the legalization of weed is a good thing. Legal penalties for use and possession were (and, in some states, still are) grossly disproportionate to the crime, and they usually fell/fall most heavily on people of color and those without the financial resources necessary to defend themselves. So, it’s really a very, very good thing. But let’s be honest: Part of the fun of getting high used to be the knowledge that we were doing something forbidden, something that put us on the wrong side of the law. It allowed otherwise well-behaved kids to feel like they (we) were edgy and daring. There’s a small part of me that misses that. Though it’s not enough to make me move back to Tennessee….
I’ll stop there for today. Perhaps I’ll revisit this idea in future posts.
In the meantime, have a great week.
More to the point, though, back in the day, I used to perform regularly. Along with my dear, dear friends Alan Goldberg and Amy Halliday, I was in a band called Free Samples. Three voices, two guitars. Acoustic rock — CSN, Beatles, Paul Simon/Simon and Garfunkel, James Taylor, Bonnie Raitt, Joni Mitchell, Pousette-Dart, etc. We performed several times a semester, usually at the campus coffee house, but also at special events during which we shared the evening with other acoustic bands.
As I made clear earlier, I am not the player or singer I used to be, mostly because I don’t work at it as I once did. And so I’m afraid I’ll sound bad. Alan and Dan have played together a lot over the past several years, including live performances and online concerts they gave during the pandemic. They sound great as a twosome and I don’t want to ruin that. They have terrific on-stage rapport, just as Alan and I did back when we were young. I don’t want to get in the way of that, either. And I have overwhelmingly positive memories of my performing days. I don’t want to sully those recollections with a performance now that is subpar. I don’t want to embarrass myself.
As I say, if you know me, you probably don’t find this surprising. I have spoken and written about my love of the Grateful Dead, my experiences shivering outside on cold nights, in the dark of Providence, Rhode Island winters, waiting at the Providence Civic Center for Dead tickets to go on sale. People don’t do that unless they have already done damage to their prefrontal cortex. I could tell additional stories. It is possible that I (and select others) was (were) high during at least one musical performance that we gave while in college. I might remember playing Cat Stevens’s hit “Wild World” and literally watching my digital dexterity degrade over the course of the song.
The news of Jimmy Buffett’s death this past weekend, hit me surprisingly hard, and I am still trying to figure out why. Buffett, the “Roguish Bard of Island Escapism,” as the New York Times called him in an online obituary, was a strong musical presence in my life. I have been listening to his music for more than four decades, I own a bunch of his albums, and over the years I have learned to play many of his songs on my guitars (none of them is particularly difficult to master). But the truth is, if asked to name my top five or top ten or even top twenty-five favorite bands and musicians, he probably wouldn’t make it onto any of those lists. So why do I feel as though I’ve lost a friend?
Recently, I have been reading a biography of Joni Mitchell (a holiday gift from my older daughter), a long-time favorite of mine and, in my opinion, the finest songwriter in the history of rock and roll (more on that shortly). It’s been an interesting read — the author is a bit fawning for my taste, and a bit too eager as well to weave Mitchell’s (admittedly phenomenal) lyrics into his prose. But as is often the case when I read biographies of artists I admire, the book made me think about creativity and the artistic process.
I did. Exile on Main Street, by the Rolling Stones. A legendary double-album by the rock band of the era. “I think you’re ready for this,” he said.