Tag Archives: Children of Amarid

Writing-Tip Wednesday: When is a Manuscript Done?

There comes in the revision process a point of diminishing returns. And upon reaching that point, we need to say, “The novel is good enough, as good as I can make it with the feedback and skills and tools at my disposal…”

When is a manuscript done?

There are many ways to answer this question, from “A manuscript is never done; eventually we just stop working on it…” to “It’s done when it’s published,” to “It’s done when the author decides it’s done.” To be honest, I find some truth in all three of those, and a host of other answers I haven’t yet mentioned.

Those who follow my social media feeds closely, may have noticed that I post about finishing the same manuscript on two or three or even four different occasions: once when I finish the initial draft, again when I complete my revisions and submit it for consideration or publication, yet again when I complete edits and turn in a production draft, and maybe one more time when the book is in its final form and is ready for release. Each of those is a milestone in the development of a book. Each is worthy of celebration.

Children of Amarid, by David B. Coe (jacket art by Romas Kukalis)But when do I consider the manuscript done? There is some truth to that first answer I gave. I consider all my books works in progress. My very first book, Children of Amarid, published in 1997 and recognized with a Crawford Award two years later, was, to my mind, never really complete. I knew for years that I could make it better. And when we finally got the rights back, I edited the book mercilessly (and did the same to its two sequels) and released the Author’s Edit of the novel. Only then, did I truly feel I had finished that first effort.

There is also an essential truth embedded in the other two answers I gave above: “It’s done when it’s published,” and “It’s done when the author decides it’s done.” Notice, I didn’t say “It’s done when it’s perfect,” or even, “It’s done when it can no longer be made any better.” There is no novel I can think of – not any of mine, not any by my favorite fantasy authors, not any by Faulkner or Steinbeck, Stegner or McCarthy, Morrison or Marquez – that is perfect, or that couldn’t be made better, even if just incrementally so, by one more editorial pass. There is no such thing as a flawless book. So stop trying to write one.

Seriously.

The true significance of the question “When is a manuscript done?” lies in its import for writers in the early stages of their careers. I know so many beginning writers, young and old, who are working on the tenth or twelfth or twentieth iterations of Their Novels. And for them I offer that first answer again: A novel is never done; eventually we just stop working on it. There comes in the revision process a point of diminishing returns. And upon reaching that point, we need to say, “The novel is good enough, as good as I can make it with the feedback and skills and tools at my disposal. It is time I submitted this book to publishers and agents.”

Now, let me be very clear about what I am NOT saying. I am NOT saying that your novel doesn’t need editing and revision. Of course it does. I’m working on book 25 right now. Or maybe 26. Whatever. I still need feedback and editing. I still need to revise every book, and revise again, and then revise some more. I still use Beta readers. I still seek feedback, tweak the book, and then seek more feedback. Rinse, repeat.

But here’s the thing: I can go through all my edits and revisions and then give my manuscript to a hundred new Beta readers, and chances are each of them will offer some new, unique criticism of the book. Where does it stop? How much editing is enough? When is a manuscript ready for submission?

Obviously, this is a decision each of us must make on his or her own. But the pursuit of perfection can be a career-killer. No editor or agent expects your manuscript to be devoid of flaws. As I said, there is no such thing as a perfect novel, and first novels almost always come with their own set of faults and foibles. Do what you can – make sure your plot works, keep your characters consistent and believable, by all means take care of all the typos and grammatical problems you can find. Your manuscript should be clean and professional. It should be as good as you can make it within reason. It should not be the only thing you’ve worked on for years and years. Because you know what? I’ll bet you every dollar in my pocket that the editor who decides to buy it is going to suggest a bunch of changes. That’s just the nature of the craft, the nature of the business.

In this case, “good enough” is not an abdication, it is not indicative of a lack of caring or effort. It is reality. Work on your book. Make it as good as you can. But don’t obsess over it, and don’t overwork it. Most important, don’t retreat into edits and revisions before you finish that first draft. Get the thing done. Then get feedback and revise. And then send it out and get to work on the next project.

When is a manuscript done?

A manuscript is done when you allow it to be. That’s probably the best answer I can offer.

Keep writing.

Another Stop on the Blog Tour

Overtelling, pointing out the already obvious, undermines our writing. In a sense, “Trust your reader” is another way of saying “Trust yourself.” Err on the side of telling too little. Let your story speak for itself. And if your Beta readers or your editors don’t understand something, they’ll let you know and you can bolster the narrative with a bit more exposition.

Today on the blog tour, I stop by to visit with the wonderful Melissa Gilbert. My post on Melissa’s site (The Enchanted Alley) is on things I’ve learned in my years as a professional writer. You can find the post here, along with more information about my LonTobyn Chronicle, which I have edited and re-released . I hope you enjoy the post, and I hope you’ll check out the books!

Two Stops on the Blog Tour!

I’m pushing myself to take all sorts of creative chances, following bolder storylines and developing exotic characters. I’m writing leaner, sparser, the way I wish I’d written the old books. In short, I’m trying to make this next project something that the younger me would think was totally cool and the older me sees as an expression of all I’ve learned through my career about writing and storytelling.

Today I’m pleased to direct you to two stops on the 2016 Fall Blog Tour (formerly known as the 2016 Summer/Fall Blog Tour). First, Bea’s Book Nook has (very positive) reviews up of the Author’s Edits of Children of Amarid and The Outlanders, the first two books in my LonTobyn Chronicle. You’ll also find excerpts from both books. You can see the reviews and excerpts here.

I also have a post up at the Beauty in Ruins blog spot. The title of the post is “A Creative Dialog with Myself,” and it’s about the challenges and rewards of going back to edit the LonTobyn series, which was my first published work. Visiting this site also gives you the opportunity to enter a contest to win copies of the books. You can find this post here.

 

Another Day, Another Post!

This bond allows them to draw on the power within the birds to heal, to do battle and protect themselves, and to cast a host of other spells. The birds themselves are characters in the stories, and to this day people who can’t remember any of the titles will talk to me about how much they loved the books by saying “You know: the ones with the hawks and owls.”

The blog tour continues today with a post at Book Whispers about the magic system in my LonTobyn Chronicle, which I am re-releasing this year in edited form. The magic for these books grows out of my lifelong interest in birds and my love of birds of prey: raptors and owls. You can find the post here.

The Author’s Edits of books one and two, Children of Amarid and The Outlanders, are now out and available in ebook and paper formats. And the ebook of Eagle-Sage, the final book in the trilogy, is now available as well. The paper version should be out soon.

New Post, Old Stop on the 2016 Blog Tour

I didn’t want to change anything with respect to plotting, character, world building, magic, setting, etc. Quite the opposite: I wanted to be faithful to the original story. The LonTobyn books had — and still have — a lot of fans, and I didn’t want to change things that those fans might remember fondly. My purpose in editing the books was to clean up the writing so that the other elements of the story could really shine.

The Outlanders, by David B. Coe (jacket art by Romas Kukalis)The 2016 Blog Tour has returned to the site of my friend, Ken Schrader, who has been kind enough to host me for another short interview. The last time I was with Ken, the Author’s Edit of Children of Amarid, the first book of my Crawford Award-winning LonTobyn Chronicle, had just come out. Now we’re marking the re-release of the second book, The Outlanders. This is also an Author’s Edit (think “Director’s Cut”) and this book, which has long been one of my favorites, reads better than ever. You can find the new interview here.

Eagle-Sage, book 3 of the LonTobyn Chronicle, by David B. Coe (jacket art by Romas Kukalis)And it’s worth noting that the third book in the series, Eagle-Sage, has just been released in ebook format. The paper edition should be out before long. That’s right, the whole series is available, and just in time for the holidays. Woot! Check them out. And thanks so much to Ken for welcoming me to his blog.

Inspiration, Knowledge, and Speculative Fiction: The Blog Tour Continues

Whether we write horror or science fiction, epic fantasy or paranormal romance, we who write in this genre seek innovative — at times fantastical — perspectives on the familiar. At its best, speculative fiction is a mirror through which we see our own world. The reflection is imperfect to be sure, but frequently more effective because of those distortions and variations.

The Summer/Fall 2016 Blog Tour rolls into FantasyLiterature.com today, with a post about the inspirations and loves that we bring to our writing. The post touches on the inspiration for my first series, the Crawford Award-winning LonTobyn Chronicle, which I am in the process of re-releasing. The Author’s Edit of Children of Amarid, the first volume, is out as an e-book and trade paperback. The second novel, The Outlanders, will be released within the next month, and Eagle-Sage, book III, should be out before year’s end.

This post is called “Writing What We Know (Or Not)” and you can find it here. I hope you enjoy it.

The Summer/Fall 2016 Blog Tour

Children of Amarid, by David B. Coe (jacket art by Romas Kukalis)Internet problems and other issues have kept me from updating, and so I have a couple of posts to tell you about today.

I have a post up at the blog of my friend Gail Z. Martin on my return to epic fantasy after so many years of writing urban fantasy. Gail is an epic fantasist who has also done UF as well, so it seemed natural to post about this on her site. I’m grateful to her for hosting me. You can find this post here.

You can also find a synopsis of the first book and information about purchasing the book and/or entering the giveaway for gift cards at Drey’s Library and at Joelle Reizes’s blog Slippery Words. Check them out!

Then and Now in Publishing: A New Blog Tour Post

Children of Amarid was first published in 1997, which is a really, really long time ago. The person who wrote that book must be, you know, old. Not “Rime-of-the-Ancient-Mariner” old, but at least venerable. Perhaps even vintage. Certainly grizzled.

I’m not sure I was ever the Hot New Thing in Fantasy, but if I was, I’m definitely not anymore, and haven’t been for a while. On the other hand, at this point I’m a Survivor, someone who’s Been Around Forever and Seen It All. And I suppose that’s kind of cool.

Today the Summer/Fall 2016 Blog Tour stops by the site of my wonderful friend and fabulous agent, Lucienne Diver. In my post, I use the recent release of the Author’s Edit of Children of Amarid, my first novel, as a jumping off point for a discussion of changes I’ve seen in publishing over the course of my nearly 20 years in the business.

You can find the post here. Please feel free to leave a comment or question. I’ll be checking in during the course of the day. Thanks!

On the Blog Tour: Visiting With Faith Hunter

I knew that I would need to revise the book before it could be published. Kind of the way I knew I would need to rotate the tires on my car at some point. I acknowledged it as part of the production of the novel, but I gave no thought to what it actually meant. Talk about rude awakenings.

Today the Summer/Fall 2016 Blog Tour stops by to visit with my friend, New York Times bestselling author Faith Hunter. My post is about the process of editing Children of Amarid and the other books of my LonTobyn Chronicle for reissue, and about all I learned when working on the original books, back when I was a writing newbie. I knew so little about publishing back then, and was confronted with some difficult lessons. But I emerged from the process stronger, smarter, and better equipped to pursue a career in the book business.

I hope you enjoy this post, which you can find here.

Quick-Tip Tuesday and a Blog Tour Update

It’s Quick-Tip Tuesday, and I’m back at Magical Words with a post about how to establish and meet work goals without setting ourselves up for disappointment and discouragement. You can find the post here.

Children of Amarid, by David B. Coe (jacket art by Romas Kukalis)And the Summer/Fall 2016 Blog Tour rolls into SFF World today, where a new review of Children of Amarid has just been posted. For those who don’t know, Children of Amarid is my first novel, originally published in 1997. It, and the rest of the LonTobyn Chronicle, my first trilogy, won me the Crawford Award and established me both commercially and critically. But it also suffered from many of the flaws one finds in a first novel. So, I have recently reissued the Author’s Edit of the book. The review is of this new version. You can find it here.