Tag Archives: conventions

Tuesday Musings: This is Why People Post Photos of Kittens…

I am having a bit of a “If you can’t say something nice about someone, don’t say anything at all” moment right now. There are some things I would like to write about. I have a couple of rants percolating inside me. But no good will come of them. They are unlikely to make me feel better, and they are very likely to cause blowback.

I am back from LibertyCon, where I had a fun weekend. As always, I caught up with lots of old friends and made a few new ones. But I have to say that this year’s spring Con season, starting with JordanCon in April, and finishing with this weekend’s convention, has been more fraught than I would have liked. I won’t be heading to another professional event until DragonCon over Labor Day weekend, and I am deeply relieved to have a couple of months ahead of me without any conventions to attend.

A friend remarked to me over the weekend that everything in our corner of the publishing world feels more tense and dramatic than usual, and he’s right. Some of what has gone on is as serious as can be — issues of monumental importance. But some of it has resulted from the actions of opportunists seeking to turn the misfortune of others to their advantage. And some of it has been so childish as to defy comprehension. It’s like we have forgotten how to be adults, and are trapped in some God-awful episode of Star Trek in which aliens have caused all of us to regress and act like spoiled, self-centered teens. I don’t know if there ever was such an episode. There should have been. One more opportunity for William Shatner to over-emote . . .

Anyway, I could go on, but I am not willing to tread that road. As I say, it leads nowhere good.

This, I have come to realize, is why people post photos of kittens and puppies. Kittens and puppies are just what are needed in moments like these. Unfortunately, I have no puppies, and kittens make me sneeze.

But not so long ago, I posted about my new (at this point, new-ish) toy — my Sony RX10, superzoom camera. I have used it throughout the spring to take photos of birds and such, and I have accumulated quite a few good shots. And so I choose to fill today’s space with lovely images. This is not likely to make me feel much better, but I believe it will keep me from writing something stupid that will get me in trouble.

Prairie Warbler, by David B. Coe

My first image is of a Prairie Warbler, a bird that nests in this part of Tennessee. Warblers are notoriously difficult to photograph, largely because they’re hyperactive and usually prefer to hang out at neck-straining heights in the forest canopy. This one, though, proved quite cooperative.

Rose-breasted Grosbeak, by David B. Coe

Next, I offer this male Rose-breasted Grosbeak, who, with eight or ten of his best friends, cleaned us out of sunflower seed in about an hour one late-April afternoon. They are exquisite birds, but voracious eaters.Prothonotary Warbler, by David B. Coe

This is another warbler — far more unusual than the Prairie. It is called a Prothonotary Warbler and it is one of my favorite birds. Like all warblers, they are tiny — maybe six inches tip of beak to tip of tail — but their call rings through boggy, forested areas like a clarion.

Carolina Satyr, by David B. Coe

I know: this is not a bird. But it is beautiful. It’s a Carolina Satyr, a woodland butterfly that is quite common around here.

Ruby-throated Hummingbird, by David B. Coe

This Ruby-throated Hummingbird has been hanging out in our yard all spring, feasting on the sugar water Nancy puts out. We have at least two nesting pairs in the yard, and as the summer goes on and the young ones fledge and start to eat, the areas around the feeders turn into aerial war zones, with hummers buzzing everywhere, attacking one another, each trying to hog all the food.

Philadelphia Vireo, by David B. Coe

And finally, a Philadelphia Vireo, another unusual bird, one I only see occasionally. Some years I don’t find them at all. This year, I got lucky and saw several, including this cutie who allowed me to get a couple of good photos.

There! I feel better, don’t you? And I didn’t have to tick off anyone.

Enjoy the rest of your week.

Remembering Wayne McCalla

Wayne McCallaI have to confess that I don’t remember when I first met Wayne McCalla.

It’s not that our first meeting wasn’t important, but rather that Wayne was so much a part of my career, my life, that he just always seemed to be there. I remember sending him ARCs of my later Winds of the Forelands books. So that puts us back into the mid 2000s. It could have been even earlier.

Wayne loved to read. He loved to meet authors, to have his books signed, to get turned on to yet another speculative fiction series. He frequented cons, always carrying a book bag, always looking for his next signature, the next world to explore. And if he fell in love with your books watch out. He couldn’t get enough of them. He liked to brag to me that he had every edition of every book I had ever published. He once drove from his home in Indiana to my town in southern middle Tennessee, just to attend a signing I did at the University bookstore here. He was like that. As I say, he loved books, and he loved authors. It was almost embarrassing. It was profoundly humbling.

He was generous, fun-loving, and a great travel companion. We drove together to several conventions and our conversations never flagged. He had a wonderful laugh, and an ever-present, shy, beautiful smile. He was quiet, that diffident smile revealing something intrinsic to his gentle nature. He would come to dinners with authors and other fans and simply listen, soaking up the camaraderie, occasionally chipping in something that always wound up being witty or uncommonly observant.

But he was passionate about fandom and speculative fiction and convention culture. The health problems that curtailed his ability to attend such gatherings were an ever-increasing source of frustration for him. He missed his friends. And they missed him. More recently, it seemed he was finally putting some of his medical issues behind him. He looked forward to returning to the convention circuit, if not this year, then certainly in 2023.

All of which makes his unexpected and sudden death earlier this week that much more tragic. As I said when I began, it seemed like Wayne was always just there. His absence is haunting, heart-rending, deeply unfair, and utterly bewildering. It is, quite simply, wrong.

I was nowhere near ready to say goodbye, but what do time and fate care for our readiness or lack thereof.

Farewell, my friend. I miss you already. I hope wherever you are now, the books are plentiful, and every one of them is signed.

— DBC

Monday Musings: Insanity

I spent this past weekend in Charlotte, North Carolina, attending ConCarolinas, a convention I attended every year from 2008-2019, and then missed for two years, once due to Covid concerns cancelling the event, and once due to diverticulitis knocking me on my butt.

ConCarolinas has long been a favorite of mine, a convention I have come to consider one of my “local” conventions even though I live six and a half hours away. It is attended by many of my closest friends in the writing world, and each convention feels like a family reunion. This year was no different. I caught up with friends I hadn’t seen in too long, and, as always, met some new people as well.

I want to tell you about the weekend, about the panels I was on and conversations I had. But instead, my Monday Musings are once again focused on avoidable tragedy. For the second weekend in a row, nearby Chattanooga has been the scene of a mass shooting. Last week six teens, all of them minors, were wounded in the downtown area right near the aquarium and the city’s wonderful Hunter Museum. As far as investigators can tell, the shooters were underage as well. Children shooting children with weapons that should never have been available to them.

Last night, three people were killed and more than a dozen were wounded by gunfire and then by cars fleeing the scene at speed (two died from gunshot wounds and twelve others were shot).

This after the mass shootings in Buffalo and Uvalde. And Tulsa. And Philadelphia. There have been twelve mass shootings in the U.S. since Friday. Since Friday. There have been thirty-six in the last three weeks, more than two hundred and thirty since the beginning of the year.

This is insanity.

I honestly don’t know what else to say. Ted Cruz and others of his ilk have been running from one talk show to the next, telling us that gun restrictions won’t work, by which they seem to mean that passing red flag laws, or age limitations for ownership of the deadliest weapons, or requirements for universal background checks, or bans on high-capacity, military-grade weapons won’t prevent all future shootings. And of course they’re right. We can’t prevent all gun-related violence or self-harm. But that doesn’t mean those laws shouldn’t be enacted. We have laws against murder in this country and still people kill other people every single day. Does that mean we SHOULDN’T have laws outlawing murder?

Of course not.

But I would challenge gun-rights advocates who oppose all limitations on firearms ownership to answer honestly a few simple questions. Isn’t it likely that passage of the measures listed above will prevent some killings? Isn’t it undeniable that passage of the measures would prevent at least one death? And are you willing to go to the parent or spouse or child of that next victim and say, “Yes, I know you have lost a person you love, but it was more important to me that we keep gun ownership in this country completely unfettered than it was that we save the life of your loved one”?

Of course they’re not.

We shouldn’t politicize gun violence and gun deaths. That’s what we’re told again and again by those who don’t want conversations about firearms control to go anywhere. Guess what. It’s already politicized, and it wasn’t those of us on the side of commonsense measures who made it so. But here in the hard truth: Republicans lack the courage and integrity necessary to stand up to the NRA and say, “Enough!” And Democrats lack the courage and integrity necessary to do what it would take to overcome Republican resistance to firearms restrictions. The cowardice and incompetence of our leaders on both sides dooms us to ever more bloodshed and fear.

But, hey, at least we all got to watch Johnny Depp and Amanda Heard air their dirty laundry in a public courtroom.

I should be energized today. I had a great weekend. I spent time with fellow professionals, engaged in fun, informative conversations about craft, about the business of writing, about my own projects. And instead, I feel weary, fed up, ashamed of and embarrassed for my country.

That’s really all I’ve got.

Have a good week. Stay safe.

Monday Musings: The Power of Professional Friendships

Coming off a fun, productive weekend at JordanCon in Atlanta, I find myself thinking about the power of professional friendships. I am fortunate beyond measure to have a wonderful life partner, children I adore, family (immediate and extended) who mean the world to me, and friendships that have lasted the better part of a lifetime.

I also have many friends in the writing world. Some I have known since the earliest days of my career (which began in the mid 1990s), while others I met only a year or two (or even less!) before the pandemic forced us into relative isolation. All of them, though, are incredibly special to me, in part because they are fellow professionals in the publishing world.

Living where I do, I am pretty isolated from the fantasy/SF community. The college town in which we live has a strong writing tradition, but that tradition is rooted firmly in Southern “literary” fiction. It has little regard for genre writing. And so all my professional friends live elsewhere. Since the pandemic began, my contact with them has been limited to Zoom meetings and phone calls. My last professional event before the world shut down was the first weekend in March 2020, on the very cusp of the ensuing unpleasantness.

I did attend a convention (JordanCon 2021, actually — re-scheduled from its original date) late last summer, and another in Boston this past February. But both were sparsely attended and had strong virtual components. This weekend’s convention was the first I attended in two years that felt “normal,” that was well-attended by professionals and fans alike.

And it was glorious.

My fantasy/SF friends are wonderful. At the risk of over-generalizing, they are smart, generous, caring, funny — just the sort of friends one would want. The community is made up largely of people (myself included) who were nerds and geeks in their youth, who didn’t always fit in with the cool crowd. And they have found in this geekdom a population of like-minded individuals. There is precious little competition among the professionals in our genre. Rather, there is an ethos of (forgive the clichés) paying it forward and believing that the higher the tide, the better for all ships.

I was on a panel this weekend with one incredibly talented writer who I have known since he was a teen and a fan of my books. At the risk of being presumptuous, I feel that I have been a mentor to him. Now he’s a professional, too, and one of his publishing credits is a story I bought as editor of an anthology. I assure you, I bought the story entirely on its merits. It’s a terrific piece. And now we are colleagues.

I was on another panel with someone I first met (I believe) through the Magical Words website, when she was still an aspiring writer seeking advice from my posts and those of the other pros running the site. She, too, is now a published professional, with several books to her name, and a growing, well-deserved reputation as a terrific storyteller. How cool is that?

I spent my weekend talking shop, discussing matters of writing craft and the current state of the literary market. Some of the conversations were great fun. Others were sobering. But all of them were deeply satisfying. It’s not that my other friends don’t care about my professional life. Of course they do, just as I care about theirs. But there is no substitute for having in depth conversations with respected colleagues who understand intuitively the challenges I face in my work, because, of course, they face them in theirs as well.

As with so many other conventions I have attended, I came away from this weekend’s event feeling energized. I am eager to get back to both my editing work and my current writing project. And I am eager as well to attend my next convention with so many of the same wonderful people.

That event, by the way, is ConCarolinas — Charlotte, NC, the weekend of June 3-5. Come join us! It’s going to be great!

Have a wonderful week!

Professional Wednesday: A New Venture In a Different Medium

The title for today’s post actually should be “Semi-Professional Wednesday…”

Spring Beauty, by David B. CoeAs many of you know, I am a fairly serious photographer and have been for some time. I have shown in local galleries, sold photos out of those galleries, and had a few photographs published in magazines. The walls of our house are sprinkled generously with enlargements of my images.

Winter Light Lake Cheston, by David B. CoeAnd now I have a new side hustle I’m working on, to go along with my book sales at conventions and such.

I am having sets of notecards made from some of my photographs to sell in collections. There will be eight cards per set, two copies of a total of four different images. They will, of course, come with envelopes. And my plan is to have the first sets available for sale at JordanCon in April.

Southern Red Trillium, by David B. CoeThe sets are themed. There are two sets of macro (close-up) images of wildflowers and other flora from the area where I live, on the Cumberland Plateau. Another set features images of butterflies, also from around my home. (Actually, thinking about it now, I think every butterfly image was taken in Nancy’s flower garden.) And finally, a set I call “Reflections” features images of the various lakes around our little town.

I don’t know yet exactly what I will charge for each set of eight cards. I have been checking prices in local shops around our town, where people charge as much as $5.00 per card! (More often $2.50-3.00 per card.) My rates will be lower than that, although the exact price will depend on exactly how much my cost per set is for printing, envelopes, packaging, etc. Eventually — sooner rather than later — I hope to offer sets for sale in the online bookstore on my websites.

Great Spangled Fritillary, by David B. CoeFor some of you, I know, this venture will be of little or no interest. I totally understand. But I also know that for others among you, you might think these sets are pretty cool. I hope you enjoy them.

Keep creating!!

Professional Wednesday: Thoughts After Virtual Boskone

Boskone was held this past weekend. Virtually, of course. It has quickly become one of my favorite conventions, and it was the only in-person convention I attended last year (not counting the SAGA professional workshop) before COVID shut down the con circuit.

If you’ve never heard of Boskone, I encourage you to look into it. It is everything a convention should be. The people who run it also happen to be the folks who put together the Dublin WorldCon a couple of years ago (that’s actually how I started attending Boskone). They know what they’re doing and they do it really, really well. The con is a great size — big enough to allow authors to reach a sizable fandom, but not so large that one feels lost amid teeming crowds. Boskone is attended by a large and diverse constellation of writers, editors, artists, and other creators. The panels are top-notch. People are friendly, but also professional.

The hotel, when the con is held as usual, is well-located and very nice. There’s great food within walking distance, and all of the great attractions of Boston, one of my favorite cities in the world, can be reached from the T stop, which is only a couple of blocks from the hotel.

None of us who know Boskone were surprised to find that the virtual version of the con was run with the same level of expertise, efficiency, and attention to detail that characterizes the real thing. My panels this weekend came off perfectly. The one I moderated, a great discussion on self-defining success, included incisive questions from our audience and a dedicated behind-the-scenes zoom host who kept us on task and on time.

Yes, I missed seeing my friends in person. I missed hanging out in the hotel bar and talking shop until the wee hours. I missed having dinner with friends and catching up with the family I have in the Boston area. I missed drinking Guinness at the nearby Legal Sea Foods!

But my experience with this con was not about loss and regret. As much as I would have preferred to be there, in person, with the friends I have missed for the past year, I was still able to reconnect with people, to find in our discussions the sense of community that makes conventions so special. And, I will admit, there was something quite nice about engaging in a spirited panel conversation for an hour, and then going downstairs to sip wine with my wife.

Look, COVID sucks. What it has done to our social lives sucks. The way it has circumvented travel and direct social interaction sucks. And I do not mean to make light in any way of the very real suffering of those who have contracted the virus, and of the hundreds of thousands in this country who have succumbed to it. We have suffered as a nation, as a global community. And that suffering is far from over.

Which is all the more reason to view virtual conventions and other inconveniences as just that: inconveniences and nothing more. Virtual Boskone was fun. Better by far to have had the experience than not. Did the virtual con replace the real one? Of course not. But it did for me what cons are supposed to do. It grounded me in my artistic community. It allowed me to catch up with a few friends, and meet some new people. It gave me an opportunity to connect with new fans. It left me feeling inspired and eager to continue my various projects.

And, as a bonus, it reminded me of something I too often forget in this time of pandemic: We are a resilient and resourceful species. Yes, there are obstacles in our path. But we have already found ways around many of them, and we are working to reach accommodation with COVID, if not victory over it.

This is all to the good.

Keep writing. And use the resources at your disposal to reach out to fellow artists. Make those connections. Don’t allow present circumstance to deny you that comfort and stimulation.

Monday Musings: Missing DragonCon

Like so many of you, like so many of my fans, my colleagues, my friends, I was supposed to be in Atlanta for DragonCon this Labor Day weekend. Yes, I have taken part in several online panels and visited with a writing workshop group – all through Zoom – and those appearances have been enjoyable. Let’s be honest, though: Even the best Zoom panels – and all of those I participated in were well run – cannot replace a live DragonCon. Missing the con has left me frustrated and sad, and I know I’m not the only one.

To state the obvious, the tragedy of this pandemic can be measured in lives lost, in lingering medical issues, in economic dislocation at a level not seen since the Great Depression. People have suffered and are suffering still. And in that context, the cancellation of a science fiction/fantasy convention is a tiny thing, barely worthy of mention.

And yet, it is indicative of so much that the Covid crisis has cost us on several levels.

For those of you who don’t know about DragonCon, it is, as I say, a SF/Fantasy convention that takes place every Labor Day weekend in the Peachtree section of Atlanta. It draws anywhere from 75,000 to 90,000 fans and professionals to the city, including artists, writers, editors, agents, actors, directors, costumers, make-up specialists, and others connected to science fiction and fantasy and horror in all their manifestations. The convention is particularly famous for its costumes which are on display during a well-known and much-anticipated parade along Peachtree Street on the Saturday morning of that weekend. DragonCon is, for lack of a better analogy, Mardi Gras for geeks.

For me personally, and, I know, for many friends as well, the absence of the convention leaves a hole in our emotional lives. Most writers work in relative isolation. We spend our work hours researching and writing on our own, communing with the characters who inhabit our imaginations. In normal years, interactions on Facebook and Twitter and other social media platforms supplement the personal experiences with colleagues and fans we expect from workshops and conventions and signings. This year, of course, social media is all we have.

And while the cancellation of each convention this year has been a disappointment, DragonCon is more than just another convention. For me, and for countless others, it is THE convention. It is the centerpiece of my professional year. Everything else I do builds to DragonCon. I reach more of my audience in those four days in Atlanta – through well-attended panels and readings, through signings, through the simple act of walking from one venue to another with so many people – than I do at all my other events combined. More important, I get to see a great number of my writing friends and associates. Every meal is a chance to catch up with an old friend. Every evening in one of the many hotel bars (usually the Westin) my friends and I gather to talk shop and laugh and share news good and bad. It’s very much like a family reunion.

DragonCon also offers countless opportunities for making new professional connections and finding opportunities for work, for collaboration, for broadening our careers in any number of ways. I’ve been attending the convention regularly for the better part of a decade, and over that period I have met with my agent many times; I have had discussions with lots and lots of editors – both those I had worked with already and those I hoped to work with in the future; I have been invited into anthologies; I have worked through plotting problems or character issues or world building conundrums with fellow professionals; I have sold a TON of books. Missing out on those sorts of professional openings, particularly this year, when business is especially tough, serves only to deepen my sense of loss.

DragonCon is famous as well for its dealers’ exhibits, which fill three or more warehouse-sized floors in the America’s Mart in downtown Atlanta. Book sellers, gamers, jewelers, knitters, woodworkers, metalworkers, costumers, and artists in so many other crafts build their years around the convention, just as we writers do. I can hardly imagine what a blow the con’s cancellation must be for them.

As I mentioned before, the convention fills bars and restaurants throughout that part of the city, not to mention all the hotels. I have no doubt that with this event, and ones like it, called off, service industry workers are suffering. It must be harder to find work. Few if any will be earning overtime pay. Cancel an event that brings 80,000 extra people to the city, and it HAS to have a devastating impact, and that impact will be felt most by those who can afford it least.

Exacerbating personal isolation, limiting professional opportunities, deepening economic dislocation – the cancellation of DragonCon offers a view in microcosm of what the pandemic has done to our society. We miss our friends. We begrudge the loss of professional interaction and book sales. We worry for those who need the con’s economic benefits even more than we do personally.

I hope to be back in Atlanta at this time next year. I say that for selfish reasons, for professional ones, and, yes, out of concern for those who depend on the convention for their livelihoods. DragonCon’s cancellation may be a small matter in the constellation of concerns brought on by the pandemic. But as with so much else that has happened this crazy year, its impact is more widely felt than one might expect.

Wishing you a great week.

Monday Musings: The Social Side of Cons

At the end of this week, I will drive to Charlotte for the Saga Professional Development Conference, where I will be speaking over the weekend. It should be a fun event and I hope to see many of you there.

As I prepare for it, though, I realize that I left something out of my recent Monday Musings post on attending conventions. Clearly, we all want to glean from our conventions and conferences all that we can professionally. But there is another reason we attend these gatherings. I am looking forward to my panels and my workshop, but mostly I’m excited to spend time with my friends and colleagues, to reconnect with fellow writers who I don’t get to see nearly enough.

I live in a tiny town in the rural south. It’s a college town – good places to eat, lots of cultural opportunities, and a wonderful community of smart, interesting, socially-aware people. But I’m pretty much the only speculative fiction writer in the area. There are plenty of writers in town – and I spend time with several of them – but our genre is not well represented.

Moreover, writing is a solitary act (if you don’t count the clamor of voices in our heads). It’s easy to feel isolated in this profession, especially early in one’s career, when we haven’t yet had the chance to build a writing community.

And so when we attend conventions, conferences, and the like, of course we want to sell our books and stories, of course we want to connect with agents and editors who can help us further our careers. But we also want to build that community of colleagues and friends. I’ve been in the business for a quarter century, and I still find new friends at nearly every event I attend. I’m not particularly good at small talk, at being “social” on demand. To some degree I have to force myself. There is a part of me – almost always – that wants to retreat to my hotel room and watch TV, or read, or work, or take a nap. Any of those would be easier than making myself into Socialize Guy. And I did make a point in that previous post I mentioned about building in alone time when attending a convention. I believe that’s important.

The danger lies in retreating completely. As I said, writing is a solitary act. Many of us are drawn to it for just that reason. I love my work time, I enjoy being alone with my ideas, my creativity. That element of my job comes naturally to me. It’s the hobnobbing I struggle with.

Yet, I’m fortunate. I’ve been doing this for long enough that I have lots of friends in the business. I already know many of the people I’ll be seeing this weekend, and I couldn’t be more excited to catch up with them. Whatever social anxiety I have is helped by those long-standing friendships. I know that what I’m describing here is difficult, and even downright terrifying, for many people. And all I can say is, we’re really a friendly bunch, and we are more like you than you might think. Make the effort to step outside of your comfort zone, even if it’s just to introduce yourself to one person.

Because as much as we all want to connect with an agent or get invited into an anthology, it is every bit as important to start building your community. And the truth is, I wouldn’t trade a single one of my dear friends for all the book contracts and anthology invites in the world.

Although, if you happen to be a movie agent, you should ignore that last line. Really. Call me!

Have a great week!

Monday Musings: Getting the Most Out of a Convention

I am just finishing up a very nice weekend at Boskone, a terrific regional convention in Boston. This was my second Boskone, and I feel that I am starting to know people at the con, and also to be known. I hope to be back again next year.

The truth is, this was the first convention in some time that I have truly enjoyed. I am frustrated by elements of the business right now, and I’m struggling with my creative process. Over the past year or so, those frustrations have kept me from getting as much out of my convention appearances as I would have liked.

I have read plenty of “How To Approach a Convention” advice posts. I’ve even written a few. There is lots of helpful advice out there on how to network at conventions, how to comport oneself on panels and at readings, how to approach the entire con experience in a way that will maximize its impact on career growth. This is not one of those posts.

Rather, I am thinking about what I did this weekend to ensure that I had a positive emotional experience, to make certain that I didn’t come away with deepening frustration or the sense that I had wasted my time. So here is my $.02 on making the most of the convention experience on a more personal level.

Go into a convention weekend with realistic expectations. The best conventions I’ve attended are not necessarily the ones that result in book deals or anthology invitations or even new relationships with Movers and Shakers. No, the best weekends are the ones that simply leave me energized. You don’t need to have a huge breakthrough or a career changing moment for the weekend to be worth your time and money.

Along similar lines, be aware of the smaller moments and look to harness them. That energizing experience can come from something as simple as a stimulating panel discussion or a late night conversation in the hotel bar or a reading that helps you see beyond a plot point that has held up your WIP. Don’t overlook these encounters and experiences; don’t take them for granted. Try to recognize them as they happen, even if it’s on the very first afternoon of the convention, and make note of the moment. “What a great conversation! [For instance.] Even if nothing else happens this weekend, that justifies my being here.”

Take some time away from the convention. This is a big one for me. I love to travel and explore, and since conventions often take us to new places, I take the opportunity to see the city or landscape beyond the convention hotel. As an example, last year, the first time I attended Boskone, I walked part of the Boston Freedom Trail, seeing historical spots I’d written about in the Thieftaker books. This year it was too cold and windy for that, but on Thursday night, just after my arrival, I went out to dinner on my own, enjoying some good food and the ambiance of a fun restaurant. The next morning, I met a dear relative for lunch in Quincy Market.

The corollary to taking time away from the convention is don’t be afraid to be alone for a while. When we attend conventions, we often feel that we have to be social every minute of every day. That’s not only unrealistic, for many of us it’s a recipe for burnout. Alone time is healthy, it allows us to take stock of the experience we’re having and perhaps make some adjustments in attitude and approach. That dinner I had alone was great fun. So was the one I had the next night with several friends. We need a blend of experiences.

And since I mentioned attitude… Go into the weekend with as positive an attitude as possible. This doesn’t mean that you should be annoyingly peppy or anything like that. But do try to approach the convention with the expectation that it will be a positive experience. This year I was dreading Boskone a little bit. Not because it isn’t a great con, but because my recent conventions had left me so disappointed. But the day I flew up to Boston I tried to force myself out of my own head, as it were. I knew that if I approached the weekend expecting the worst, that would be what I got. Instead, I went in open to whatever might happen. The con wasn’t perfect, but I managed to laugh off those moments that didn’t go so well, and embrace those that did.

A lot of this is pretty basic stuff — and a lot of it can be applied to experiences other than conventions — but now and then it helps to be reminded of even the most simple notions. I needed the reminder before this weekend. And if you find yourself heading to a convention with feelings of trepidation or even dread, maybe this post will help. I hope so.

Enjoy your week!

A Quick-Tip Tuesday Post on Writing Communities

Writing can be a lonely profession. We often work on our own, toiling alone for hours at a time, sending our work into what can feel like a marketplace vacuum, and waiting for feedback that can be hurtful, even brutal. It’s hard, and our solitude makes it harder. Yes, we have loved ones on whom we can lean for support, but there’s no substitute for talking these things out with people who understand the process and the pain, the toil and the isolation.

Today’s Quick-Tip Tuesday post at Magical Words is about writing communities — conventions, retreats, crit groups — and the benefits they bring to writers of all levels. I’m recently back from ConCarolinas and the Roaring Writers 2016 Retreat, where I led critiques and taught, and I have a new writing group in my town, so this topic has been on my mind lately. I hope you enjoy the post, which you can find here.

Keep writing!