Category Archives: David B. Coe

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Monday Musings: American Truth-Tellers

Last weekend, we went into Albany, with my brother and sister-in-law, to have dinner with friends of theirs, and to attend an exhibit at the lovely Albany Institute of History and Art. The exhibit is called “Americans Who Tell The Truth,” and it features portraits by Robert Shetterly, along with quotes from his truth-telling subjects.

Shetterly’s art is unusual. His portraits are simple, even primitive in some respects. The bodies of his subjects, and the backgrounds of his paintings, are flat, lacking in detail, unremarkable. But the faces are nuanced, instantly recognizable, filled with life and spirit and personality. And the names of the subjects, as well as their quotations, are scratched into the paintings themselves (while the paint is still wet, as my brother, the painter, pointed out). Shetterly has painted more than two-hundred truth-tellers, including forty-two that have been selected for the Institute’s exhibit. Some of those included are obvious selections. Others are less well-known, and still others have somewhat checkered histories, which makes for an interesting blend of portraits.

On the one hand, featured subjects include Rosa Parks and Bayard Rustin, Pete Seeger and Ella Baker, Cecile Richards, the late president of Planned Parenthood, and Sister Helen Prejean, the anti-death-penalty crusader portrayed in the movie Dead Man Walking. But among the other truth-tellers whose portraits are on display, are John Brown, the anti-slavery activist whose violent raid on Harper’s Ferry in 1859 resulted in several deaths and helped to spark the Civil War; Mother Jones, the late-Nineteenth/early-Twentieth century labor organizer and activist; Frank Serpico, the New York city cop who resisted and later exposed corruption within the police department, at risk of his own life, and whose harrowing story was brought to life in Serpico, a 1973 movie starring Al Pacino and directed by Sidney Lumet.

"Leah Penniman" by Robert ShetterlyYet, the figures who fascinated me most during our afternoon at the museum were those of whom I’d known nothing — not even their names — before seeing the exhibit. One of them was Leah Penniman, a food justice advocate and activist whose portrait exudes warmth and joy. Her quote is wonderful and worth repeating in full:

Our ancestral grandmothers braided seeds and promise into their hair before being forced into the bowels of transatlantic ships. As they plaited their okra, cowpea, millet and black rice into tight cornrows, they affirmed their hope in a future on soil. They whispered to us, their descendants:
“The road may be rough, but we will never give up on you.”

"Grace Lee Boggs" by Robert ShetterlyAnother was Grace Lee Boggs, an author and community organizer, who gazes out from her portrait appearing tough, frank, unwilling to put up with any BS. Her quote:

People are aware that they cannot continue in the same old way but are immobilized because they cannot imagine an alternative… We need a vision that recognizes that we are at one of the great turning points in human history when the survival of our planet and the restoration of our humanity requires a great sea change in our ecological, economic, political, and spiritual values.

Few moments in our nation’s history have demanded more of American truth-tellers than the one we find ourselves in right now. We are governed by liars, bombarded by falsehoods every time we go online or turn on certain news channels, confronted by people — some of them friends, some of them family, most of them well-meaning — who have armed themselves with misinformation in order to parrot talking points they have heard on TV or from someone else who might be equally well-meaning and equally misinformed. Just the other day, I encountered online a post from someone I like and respect, who was repeating the jumble of untruths and recklessly manipulated data used by this Administration to justify their disastrous tariffs. I didn’t bother to comment. I didn’t wish to alienate a friend, nor did I have the energy or inclination to engage in a flame war. Instead, I allowed the disinformation to go unchallenged. I’m not proud of this.

Fallacy, disingenuousness, quackery, distortion. They pummel us. They insinuate themselves into every discourse. They are disheartening, infuriating, exhausting.

Which makes Robert Shetterly’s bold honoring of those who have stood up for truth again and again, all the more admirable, all the more important. We as a people have been challenged before by those who traffic in lies, and ultimately honesty has prevailed. Truth broke Joseph McCarthy’s fear-driven hold on the U.S. Congress, just as it ended the corrupt presidency of Richard Nixon. I choose to believe that it will wash away the bullshit that currently coats our most sacred institutions. But I have to be willing to stand up for honestly when next I am presented the opportunity. All of us do. We need to be inspired by those who inspired this exhibition.

"Bill Moyers" by Robert ShetterlyOne of my favorite portraits was of a media hero of mine, PBS’s Bill Moyers. I will leave it to him to have the last word:

The framers of our nation never imagined what could happen if big government, big publishing, and big broadcasters ever saw eye to eye in putting the public’s need for news second to their own interests – and to the ideology of market economics.

The greatest moments in the history of the press came not when journalists made common cause with the state but when they stood fearlessly independent of it.

Blogging, D.B. Jackson, David B. Coe

Monday Musings: Remembering My Gram

This past weekend marked my Gram’s birthday. I won’t tell you how old she would have been because, well, I’m not sure I can do the math. Old. Really old. She passed away in 1983, and at the time she was just shy of her 92nd birthday. I think. I’m pretty sure she would be, like, 134 now. I am also pretty sure she would be ticked at me for telling you how old she would be . . . .

Gram was a wonderful grandmother. She adored all of her grandkids and she doted on us in all the grandmotherly ways. She made a huge fuss over every achievement, she always wanted to hear all about our lives, our friends, our classes at school. I never knew my mother’s parents, and my grandfather on my father’s side was not really part of our lives growing up. But it didn’t matter, because Gram showered us with enough love for four grandparents.

My Gram - April 76Clara Bartels was born in Amsterdam and came to the United States as a small child. Her father was a diamond cutter, and diamond cutters were in great demand in the diamond district of New York City. She grew up around the block from Jacques Cohen, who later in life changed the family’s last name to Coe, and whose father also was a diamond cutter who emigrated from Amsterdam. They would marry, have three kids, and then divorce, bitterly, at a time when divorce was not really something people were supposed to do.

Gram endured a lot in those years. She raised three children by herself, when single mothers with children were expected to remarry with alacrity. She nearly lost my father to meningitis when he was a sophomore in college. The youngest of her kids, my Uncle Bill, died in France during World War II. But she was a survivor and much tougher than anyone would have thought just looking at her.

Clara was maybe — MAYBE — five feet tall. With shoes on. In a stiff tail wind . . . . She had dark hair early in life. When I knew her, she had beautiful, silky white hair. Her smile could power entire cities. Her laugh, which we heard frequently, sounded like a car engine struggling to turn over. She had a terrific sense of humor and loved to laugh when she wasn’t supposed to. Each year, we would go to my Aunt Jean’s house for Passover, and my Uncle Bud would lead the Seder. He was more religious than the rest of us, and he took the Passover rites fairly seriously. And so when Gram would laugh at one thing or another in the Haggadah (which she did every year), he would grow annoyed. Which only served to make her laugh more. Which annoyed him a little more. Which increased her laughter yet again, making the rest of us laugh. Etc. Etc. I loved my uncle. He was a sweet, generous man. And for most of the year, he adored Gram. He always tried to be a good sport during Passover, but Gram didn’t make it easy . . . .

Staying with Gram was a treat. When I was young, whenever my parents went away, I would stay with her in her apartment on the east side of Manhattan. 245 East 63rd Street. The address is seared into my brain. So is her apartment number: 1104. It was a beautiful apartment — I shudder to think what it would cost today — and yet it was a pale substitute for the apartment my older siblings and cousins remember from when they stayed with her. That one was near Central Park and was huge and gorgeous. But no matter where she lived, when we stayed with her we had her all to ourselves. She would make the foods we liked, would take us to Atlantic Beach during the summer, or during the colder months, would take us FAO Schwarz, the famous toy store (the Tom Hanks-Robert Loggia floor-piano scene from Big was filmed there). We would walk with her there, and would be allowed to pick out any (reasonably priced) toy we wanted. After, we would get an ice cream at Schraffts.

Gram wasn’t always the easiest personality. She could be stubborn and even prickly on occasion. The summer after my senior year in college, my folks went away for a couple of weeks, and I stayed alone at our house. (At this point, I hadn’t stayed overnight at Gram’s for several years.) But my dad asked me to call Gram while they were away and I forgot. My high school girlfriend and I were going through a rough patch, and I had friends I wanted to see, and, well, I was a teenager . . . . It was entirely my fault. I know that.

But Gram was really angry with me. So angry that one night, when she and I had dinner at my aunt and uncle’s house, she wouldn’t speak to me. Literally. She directed all her questions and comments to me through my Aunt Jean, who reluctantly served as intermediary, and who later offered her heartfelt sympathy.

Lesson learned. When I went off to college, I made a point of calling Gram every Sunday, no matter what. And at the end of my freshman year, she commented to my father that Brown was a very good place for me. It had taught me responsibility. You can’t make this stuff up.

But episodes of that sort were the exceptions. Most of the time, Gram was fun, loving, silly, and totally engaged in all of our lives. She was, as I have said, a wonderful grandmother. To this day, I miss her laugh, and can hear it in my head when something funny happens.

Happy Birthday, Gram. I love you.

Blogging, D.B. Jackson, David B. Coe

Monday Musings: Thoughts After Visiting My Kid

Last week, I flew out to Colorado to visit, Erin. Now, it goes without saying that I will leap at any chance to have time with my Peanut. I don’t need excuses to visit. But in this case, we had a bit of an agenda. Erin was in need of a car, and I went out to help her with the purchase.

Yes, she is 25 years old and could have done all of it on her own. But here’s the thing. Statistics show that women, on average, pay more for cars — new and used — than do men. In fact, White men pay the least of all. Women and all people of color will, on average, pay more for the same car, in the same regions, and even at the same dealerships. This is not an imagined form of discrimination. This is real and documented and supported by data.

So, out to Denver I went. We found her a car at a decent price. She’s happy, and I had time with my darling girl.

Erin in her new car!
Erin in her new car!

But . . .

The other night, I finally saw On The Basis of Sex, the Ruth Bader Ginsberg biopic that came out in 2018. The movie is, of course, a Hollywood take on an extraordinary historical figure, and so is bound to suffer from some flaws. But it offers an unstinting look at the barriers placed before RBG, who was always the smartest person in whatever room she entered, and always the best lawyer in any courtroom she graced. In this way, it reminded me of 42, the Jackie Robinson biopic starring the late Chadwick Boseman, and Hidden Figures, which told the stories of Katherine Johnson, Dorothy Vaughn, and Mary Jackson, Black NASA mathematicians whose revolutionary work helped make possible the American space program.

In all of these movies (and countless other similar films that I have failed to mention) we are reminded of the irrefutable truth that sexism and racism (as well as homophobia, religious bigotry, and discrimination against people with disabilities) create nearly insurmountable barriers to success for too many.

And this is the insidiousness of the current Administration’s hysterical and irrational assault on DEI programs across the country. The assumption underlying this “policy” is that white, cis, straight males are the standard that define what it means to be qualified and competent. This is, of course, utterly ridiculous, and to see how foolish it is, take a moment to read any online biography of General Charles Q. Brown, the former Chairman of the Joint Chiefs of Staff fired by the present occupant of the White House for no other reason than because he happens to be Black. For that matter, take a moment to read a biography of Admiral Linda Fagan, the first female commandant of the Coast Guard, or Admiral Lisa Franchetti, the first woman to serve as Chief of Naval Operations and thus the first female member of the Joint Chiefs. Both were fired, apparently, because they’re woman and, like Brown, were seen by the Administration as “DEI hires.”

As if the Administration itself isn’t filled with (and led by) hires that are based entirely on race and gender! Does anyone honestly think that Pete Hegseth would be Secretary of ANYTHING if he weren’t a straight White guy? Does anyone think that Donald Trump would be anything more than a two-bit grifter if he hadn’t been born White, male, and rich-as-fuck?

When I was in graduate school, my (white male) advisor told me the story of how he came to be hired as a history professor at Stanford. He happened to be in the office of his (white male) advisor when the (white male) chair of the history department at Stanford phoned the aforementioned advisor, who was an old pal from Yale. The history department chairman said, “We have an opening here for an American history professor. Do you have any grad students who are on the verge of finishing their dissertations?”

“Actually, I have one sitting right here, and he’d be perfect.” At that point, my advisor’s advisor turned the conversation over to my future advisor who was “interviewed” and hired on the spot.

They call it an Old Boys Network for a reason, and such advancement has long been available to White men across academia, as well as throughout the business world, the legal and medical professions, politics, and in pretty much every other professional realm imaginable. Was my advisor qualified for the job? Absolutely. Was he more qualified than anyone else — of any race, gender, or group — who might have sought the job at Stanford had it been advertised and thrown open to all properly credentialed applicants? Who knows?

DEI is not intended to give an unfair advantage to underrepresented groups. Rather it is intended as a corrective for a culture, society, and economic system that have been tilted in favor of White men literally for centuries.

And yes, I count myself among those who have benefited from that uneven playing field. Absolutely I do! I was born White, male, upper-middle class. I’m straight. I was given every opportunity to succeed — I grew up in a nice house, in a good school system, raised by parents who fed me well, kept me safe, and took an active role in my education. I was taught from an early age that being smart, and being perceived as smart, are good things. I never faced any social pressure to hide my intelligence in order to be deemed “more attractive,” as so many girls my age were. I never feared the police. I never was called by the “N” word, as my best friend was, in my presence, when we were twelve. When the time came, I was in an economic position that allowed me to attend an Ivy League university. What an advantage all of that was! My privilege set me up for success. I know this. And I deal with it the only way I know how: by being an ally to those who didn’t have my privilege, and by fighting (and voting) for social justice and economic equality at every opportunity. Yes, I’m Woke. You’re damn right I am.

The current Administration is attempting to reverse more than half a century of progress on women’s rights, Civil Rights, LGBTQ+ rights, and antipoverty efforts. Why? Because they see anything that further levels the playing field as being to their personal disadvantage. Many of their supporters feel the same way. They would rather perpetuate a system filled with bias, one that rewards mediocrity by limiting competition from qualified women, qualified people of color, qualified people with disabilities, qualified people who identify as queer. They are terrified by the surety that if forced to compete with a wider group of skilled, talented people, they are likely to lose out. And they’re probably right. But that doesn’t change the fact that they are pursuing an ideological agenda that is immoral, cruel, and bad for our country.

Wishing you a good week.

Blogging, D.B. Jackson, David B. Coe, Writing

Monday Musings: My Big Brother

People often ask why Nancy and I moved to New York when we left the Appalachians. We could have settled pretty much anywhere, but we chose an area — the Hudson River Valley — that few think of as a retirement destination. The fact is, a main reason we came here was to be near my brother and sister-in-law, whom we adore.

Jim and me, birding in Arizona.
Jim and me, birding in Arizona.

As it happens, this is my brother’s birthday week, and so I am afforded a wonderful opportunity to embarrass him.

James Coe — Jim to me; Jimmy when we were much younger — is just about my very favorite person in the world. He is older than I am. I won’t say by how much, but trust me, it’s A LOT!! When we were kids, I wanted to do everything he did, often to his dismay. He was my babysitter, my early-life mentor, occasionally my tormentor, but throughout all my years my best friend. He was the one who interested me (and our oldest brother, Bill) in birdwatching. He shaped my early musical tastes, introducing me to James Taylor, Joni Mitchell, the Beatles, Crosby Stills and Nash, Carole King, Simon and Garfunkel, not to mention the Monkees and Young Rascals. Later, as I got older, he was my guide to jazz. He saw to it that I discovered pizza. He risked parental sanction by lighting off firecrackers for my entertainment (and the satisfaction of his own pronounced pyromaniacal tendencies).

Jim is a remarkably talented artist — you can find samples of his work, as well as his very impressive biography, here — and all kidding aside, his courage in pursuing his own unconventional artistic career emboldened me to do something similar in pursuit of my passion for writing fantasy. In a sense, I owe my career to his example. His art is all over our walls, and for all of my adult life, the best gift I could receive for any birthday has been an original James Coe painting. Over the years, he has been incredibly generous in that regard.

He is a bold and creative chef, an accomplished baker whose from-scratch bread rivals Nancy’s (and that, my friends, is saying something). He is wise and caring, a wonderful Dad to his talented, beautiful children, Jonah and Rachel, a loving spouse to his spectacularly brilliant wife, Karen, and a marvelous uncle to our girls. He is, to this day, my favorite birding companion, my constant partner in silliness, my beloved big brother.

So, please wish Jim a happy birthday, and really do check out his website. He is annoyingly talented.

Love you, Coe.

Blogging, D.B. Jackson, David B. Coe

Monday Musings: A Little Piece of Italy

Last April, after a grief-filled winter, and a previous fall that was more difficult than I could possibly describe, Nancy and I went to Italy for three weeks — a long-delayed trip that had once been intended as a celebration of our 60th birthdays, both of which were more than a year past by then.

While in Italy, we spent four lovely days in the ridiculously picturesque city of Venice, and while there, we took a day to visit Murano, a portion of the city that is renowned for its glass factories. It is, if you are not familiar with the history of glass-making in Venice, home to the Murano Glassworks, one of the most renowned glass producers in the world. It is also a gorgeous part of the city. We had a great time there, walking around, looking in shops, getting some food, enjoying the play of color and light on the waterways and old buildings. We watched a glass-blowing exhibition at the Murano factory and bought many gifts for friends and family back home, as well as for Nancy.

While walking around, searching for a small souvenir of my own, I stopped in at a modest shop on a square, and found, among other things, several small squares of glass in which were embedded finely-wrought images of bare trees. I was captivated and started up a halting conversation with the shop’s owner, who spoke only a bit more English than I did Italian. We managed to communicate, though, and had a very nice exchange. The works in question, it turned out, had been done by the man’s father. He shaped the trees out of strands of steel wool and then placed them in small molds which he filled with melted glass. Each image came out slightly differently. All of them were delicate and beautiful and utterly unlike anything else I had seen in Venice (or anywhere else, for that matter).

I bought the one you see in the photo here. It is small — only 2 1/2 inches by 2 inches — and it is signed — etched, actually — by the artist. I don’t recall what I paid for it. Honestly, I don’t care. I love it. The man wrapped it up in tissue paper, took my payment, and I left his shop, likely never to see him again.

Italian-Murano glassI kept it wrapped up even after we returned to the States. My plan was to open it once we were in our new house, which is what I did. It now sits in my office window, catching the late afternoon sun. And it reminds me of so much. That trip to Italy, which marked the beginning of my personal recovery from the trauma of losing Alex. That day in Venice, which was gloriously fun. The conversation with the kind shopkeeper, whose love for and pride in his father was palpable throughout our exchange. More, that little glass piece is an image of winter, and it sparkles like a gem when the sun hits it. It reminds me that even after a long cold winter, a time of grief and pain, there is always new life and the joy of a new spring.

Murano section of Venice, by David B. CoeA cliché, to be sure. But as with so many clichés, it’s rooted in truth.

That little tree — the simplicity of steel wool preserved in glass — brings me joy and comfort all out of proportion to its size and cost. I think Alex would love it, too.

When we were getting ready to move, Nancy and I unloaded a lot of stuff. We talked often of the joy we derived from “lightening our lives,” culling from our belongings items we no longer needed or wanted. And I am so glad to have done that work. But I will admit that I still get great pleasure out of many of the things we kept, including little tchotchkes (Yiddish for “trinkets” or “little nothings”) like this one.

Wishing you a wonderful week.

Blogging, Case Files of Justis Fearsson, D.B. Jackson, David B. Coe, editing, Islevale Cycle, teaching, Thieftaker Chronicles, Time's Assassin, Time's Children, Time's Demon, Writing

Tuesday Musings: What Makes An Effective Villain?

I love villains. I love writing them. I love reading them. I love seeing them brought to life on big screen and small.

Well, let me modify that. I love villains in fiction and movies and television shows. I can’t stand real-life villains. (In the interest of keeping things civil, I won’t name any of the real-life villains I have in mind, even the one whose name rhymes with Peon Husk.) But a good fictional villain can make even the most mundane of stories shine. And a boring or ineffective villain can ruin an otherwise effective narrative. Over the years, as a reader, teacher, and editor, I have seen many beginning writers undermine their stories by making the same mistakes in the development of their antagonists.

"The Witch's Storm," by D. B. Jackson (Jacket art by Chris McGrath)What qualities make a villain compelling? I intend to dive into that. Who are some of my favorite villains? I’ll get into that, too. But let me offer a few quick points up front. I don’t think much of the all-powerful-evil-through-and-through villains one often encounters in the fantasy genre. Sauron, for instance — the evil god whose world-conquering designs lie at the heart of J.R.R. Tolkien’s The Lord of the Rings — is, to my mind, a very boring villain. He’s really powerful, and he’s really, really evil. And yes, he’s cunning, which is a point in his favor, and he’s scary (or his minions are). But beyond that, and unless one has gone back and read all his backstory in The Silmarillion, there isn’t really much to him. He lacks dimension and complexity.

So, let’s begin there. In my opinion (and yes, ALL of this is just my opinion), villains should be complex. There should be more to them than mere evil. Their backstory should contain the seeds of their villainy and the twisting of their world-view. Because let’s face it, most of the villains we encounter and create do some pretty messed up things in pursuit of their agendas. They’re not all there sanity-wise. But how they wound up there ought to be an interesting tale in and of itself. And the fact that their actions are working at cross purposes with those of our protagonists should not mean they can’t have some normality and even joy in their lives. They can and should have people and things that they love. They should be relatable for our readers. One of my very favorite villains is Brandan of Ygrath, the emperor-sorcerer who is the villain of Guy Gavriel Kay’s Tigana. He is charming, brilliant, loving with those he cares about, handsome, refined. He is also ruthless, merciless, temperamental, and unpredictable. He does horrible, cruel, vicious things for reasons that are both understandable and insufficient. He is nearly as easy to like as he is easy to hate.

Too often, I see young authors make their villains unintelligent and unsubtle. They give their villains lots of power, but then undermine that power by making their machinations transparent. Villains, I believe, need to be canny, keen of mind, creative. Their schemes should be the stuff of genius. Remember the old Adam West Batman series? I used to watch it after school when I was little. Invariably, Batman’s foes would leave him in a situation where he wasn’t dead yet, but he would be soon. They were sure of it. So they didn’t need to wait around to make sure. They could leave, and eventually, the pendulum on the giant clock with the medieval axehead attached to it would cleave the masked crusader in two! And, of course, their premature departure gave Batman and the Boy Wonder the opportunity they needed to escape their less-than-certain deaths. Stupid villains were entertaining and convenient when we were kids watching bad TV. But for more sophisticated fiction, stupid villains will ruin a good tale.

Think of it this way: Assuming that our protagonist eventually manages to overcome the villain in our story, the power AND intelligence AND shrewdness of the bad guy reflect well on our good guy. The easier the villain is to defeat, the less challenging their plot against the world, the less impressive our hero appears when they prevail. When we build up our villain, when we make them really smart and really cunning, our hero’s victory becomes that much more of an achievement. Consider it narrative mathematics.

TIME'S DEMON, by D.B. Jackson Art by Jan Weßbecher.Some of my favorite villains from my own work? Quinnel Orzili from the Islevale Cycle (Time’s Children, Time’s Demon, Time’s Assassin), Saorla from the second and third books in The Case Files of Justis Fearsson, and, my absolute favorite, Sephira Pryce from the Thieftaker books. Yes, she later become something other than a pure villain, but that was basically because she became SO much fun to write that I had to find a way to keep her around and relevant.

His Father's Eyes, by David B. CoeMy favorite villains in the work of others? I already mentioned Brandan of Ygrath. John Rainbird, from Stephen King’s masterpiece, Firestarter, is a terrific villain. Smart, brutal, and yet also human. In Catie Murphy’s marvelous Negotiator trilogy there are two supernatural “bad guys,” Daisani and Janx, whose personal rivalry threatens the fabric of the mortal world. Their mutual animus and their own needs and desires humanize them and make them terrific foils for Magrit Knight, the series’ protagonist. And I would add that a certain writer I care not to mention in light of recent revelations has created some truly amazing villains. Too bad he wound up being a villain worthy of his own undeniable storytelling talents.

So, make your villains relatable, make them canny and dangerous and terrifying, and make their eventual defeat a true achievement for your protagonist. And try not to be villainous yourself.

Advice for this week. Cheers!!

Blogging, D.B. Jackson, David B. Coe, Winds of the Forelands

Monday Musings: Memories On Our Walls

A couple of weeks ago, a dear friend posted on Facebook an image of a photo print she’d purchased from me years ago, along with a caption saying she still considered the image one of the things in her living space that gives her joy. I was flattered beyond words. And I thought of her post this past week as Nancy and I finally got around to putting art on our walls.

We’ve only done the living room and dining room (and our respective offices), but already the house feels more like a home. I am itching to put up more. This week, perhaps.

I am fortunate to have learned photography as a younger man and to have captured a good number of display-worthy photos over the years. And so we have framed images from many of our travels that are, or will be, on our walls — pictures from Australia and New Zealand, from Ireland and the American Southwest, from our former home in Tennessee and from a memorable trip to New Mexico a few years back. I’m currently deciding which photos from more recent journeys I should print and frame next.

I am even more fortunate to be the younger brother of James Coe, a remarkably talented wildlife and landscape painter. Jim’s art is all over our house; in the rooms we’ve decorated so far we’ve hung nine of his paintings and prints. I expect there will be more before long. [By the way, you can read more about Jim and see images of his art at his website.]

"The Darkest Road," by Martin Springett (based on the novel by Guy Gavriel Kay)What else have I got? Several years back, while attending a World Fantasy Convention, I bought signed prints of Martin Springett’s marvelous cover art for Guy Gavriel Kay’s Fionavar Tapestry. Springett himself was selling the art and he was a charming and effective salesman! Some twenty years ago, while living in our little town in Tennessee, we became friends with Stephen Alvarez and his family. Stephen is an amazing freelance nature photographer, whose work has appeared in National Geographic, Time, the New York Times, and other high profile publications. He and his wife, April, also happen to be fantasy readers, so we arranged a trade: a complete signed, hardcover set of the Winds of the Forelands books in exchange for a print of a gorgeous night sky photo taken in Arizona. I think I got the better deal.

"Knotwork Owl," by Kathryn LoobyWe have a few nice pieces of art that once belonged to my parents. We have photos we purchased just outside of Zion National Park — photos of the park taken by photographer David J. West, with whom we chatted for a time one memorable morning. I have in my office a tiny framed pressed bronze image of a Celtic owl, which I love. And I have yet another signed photo print, this one by renowned nature photographer Larry Ulrich. It was a gift from my siblings for my 50th birthday. And we have a signed print from a Native American artist in the Pacific Northwest that we bought while on our honeymoon in Victoria, British Columbia. This print has hung over the mantel in every home Nancy and I have shared. It was the first piece we put up in the new house.

"Thunderbird and Killer While," by Joseph M. WilsonOf course, we have tons of smaller photos all around the house, of our darling daughters, of our parents and siblings, of friends, of our wedding.

And I suppose the point of all of this is that every one of these pieces of art, every single thing that I have taken care to center on a wall and hang at the right height and fiddle with until it hangs straight (only to have Nancy come into the room and adjust it so that it really hangs straight) brings me joy. They remind me of places we’ve seen that stole our breath and seared themselves into our memories. They remind me of experiences we cherish and people we love.

Each time we put up something new, it invariably puts a smile on my face.

Take a look around your home, and let the memories stirred by the things you’ve put on your walls bring a smile. And if you care to, share a favorite or two on the Facebook feed for this post.

Have a great week.

Blogging, D.B. Jackson, David B. Coe, Writing

Monday Musings: Here We Are

By David B. Coe By David B. CoeWe woke this morning to a snow squall, something that happened with ever-decreasing frequency during our years in Tennessee, as climate change made the warm South even warmer. Here in New York, during the winter months, snow is still the default when there’s precipitation, and I love that. I have missed snow and don’t mind paying the plow guy or dealing with snow on the walkways and driveway. The beauty of an early morning snowfall more than makes up for the inconveniences.

We have bird feeders up now, and they’ve drawn in a variety of species, including several species of sparrow, goldfinches and cardinals, chickadees and nuthatches and woodpeckers. They have also drawn the attention of local hawks, who seem to view our feeders as an all-they-can-eat avian buffet. We have a Cooper’s Hawk who frequents the yard, a pair of Red-tails who come around quite often, and, as of yesterday, a gorgeous Red-shouldered Hawk. Our turkey flock continues to wander through the yard now and then, as does a beautiful red fox. A couple of weeks ago, while driving past the farm that borders our property on the western edge, I spotted a young Peregrine Falcon perched on a telephone pole, hungrily eyeing a flock of doves.

I haven’t written in this blog for a few weeks, and in a way what you’ve just read is why. I am working again, we have settled into a routine of sorts. The house still needs a good deal of work, and we’re getting around to that slowly, steadily. We are enjoying this setting immensely. We’re eating fun foods and finding new stuff to stream. We’re spending lots of time with my brother and his family, who live close by, and lots of time with my college roommate and musical partner and his wife, who also live maybe 20 minutes from here.

Life is comfortable and peaceful and, I will also admit, a tiny bit boring. Not to me, mind you, but I can definitely see where it could seem that way to those on the outside. We traveled a lot last year. This year we’re planning to (mostly) stay put and work on our new place. The past several years have been full and fraught, difficult beyond words at times, and at other times so frantic as to be exhausting. This year won’t be like that. Not if we can help it.

And so, yeah, I have struggled to post. I don’t want to bore. I don’t want to repeat material from old posts.

I continue to grieve for my older daughter. I’ll never stop. But I feel I have made that grief part of my life, part of who I am now, and honestly, I wouldn’t have it any other way. I don’t feel the same need to write about it that I felt last year. And I think many grew tired of such posts. Grief is part of me, but it does not — should not — define me.

I don’t really want to think about the slow-motion disaster unfolding in our nation’s capital. This administration’s attempts to subvert the Constitution and undo a century of progress on Civil Rights, environmental protection, social justice, and a host of other worthy goals is not something upon which I care to dwell. I am too weary to engage in online flame wars with troglodytes and nazis. At some point, I’ll grow angry enough to write a political screed or three, but not now.

And at some point, I am sure, I will have much to say about new writing projects. For now, though, I’m merely editing, and enjoying quiet, productive days in my new work space.

All of this feels healthy, and deeply appropriate for this current stage of my life. None of it makes for exciting reading (or writing). I will do my best to post as I can, to come up with things to say that make something worth reading out of our mundane-albeit-cozy existence. But to those who know us and care about us, please be assured that we are doing well. Better than we would have thought possible a little over a year ago. Some days are harder than others. But we are where we ought to be, physically and emotionally. It’s hard to ask for more.

Wishing all of you a wonderful week.

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Cataclysm In Los Angeles

There are lots of things I would like to write about today. Our lives are busy right now, in a variety of ways, all of them pretty positive. I have professional stuff going on, personal stuff going on. I could write about all of it.

But Los Angeles is on fire. I’m writing this as the weekend approaches. Maybe — MAYBE — by the time you read this, the fires will be under control. But I doubt it. The photographs of damage on the ground are horrendous. The satellite imagery — before and after shots of neighborhoods and towns — is terrifying. The pictures posted overnight of the fires as seen from airplanes on approach to LAX look like something out of a disaster movie.

I don’t live in California (not anymore, but I once did; I love the state), but I have family and friends who do, people I love who have been impacted directly by this mind-boggling tragedy. Chances are, you do, too. Or if not you, then someone close to you does.

That’s the thing about climate change. It touches all of us. We don’t have to be in the path of the latest Category 5 hurricane, or impacted by yet another drought, or threatened by apocalyptic fires, for its impacts to reach us. It’s not all cataclysm and news headlines. It’s higher grocery prices resulting from crop damage (storms, heat, frost, drought, flood — take your pick). It’s stronger winds resulting from greater temperature gradients, which lead in turn to harder headwinds when we fly, or more turbulence, and yes, greater, more frequent delays at the airport.

It’s hotter summers and milder winters. It’s also more storms year-round, except, of course, during droughts. It’s more mosquitoes and ticks. It’s less snow for ski resorts. It’s vanishing glaciers in our beautiful national parks. It’s more mass extinctions, falling bird populations (30% of North American birds have been lost in the last fifty years, not all because of climate change, but it’s a significant factor), and frightening losses in the populations of our natural pollinators.

It’s greater strains on our electrical grid, more blackouts, a greater need for frequent rolling power outages, all of which contribute to higher utility costs. It’s increased insurance premiums, as insurance companies race to recoup the losses caused by the aforementioned floods and fires and storms.

Climate change is a thousand different things. Some cause inconveniences and cost us a few bucks. Some cause deaths, disease, injuries, and cost our society billions.

“We don’t get as much snow as we used to.”

“There are more storms than there used to be.”

“Glacier National Park won’t have glaciers for much longer.”

“Los Angeles is on fire.”

It’s not a hoax. It’s not a left-wing plot to grow government and control our lives. It’s not a figment of some scientists’ imaginations. It’s real. It’s borne out in evidence gathered by meteorologists, physicists, biologists, ecologists, and historians. It is a threat to our economy, our way of life, and the health and welfare of every person on the planet, as well as our children and grandchildren.

If you don’t believe me, that’s your problem. The proof is in all that our planet has experienced over the past half century and more. Refusing to acknowledge the truth of climate change does nothing to slow it down or mitigate its myriad costs. All it does is ensure that future generations will pay an ever greater price for our failures.

But if you still don’t believe me, take five minutes — five full minutes — to look at the images coming out of Southern California. I guarantee, you’ve never seen anything like it. None of us has. We will see it again, though. Sooner rather than later, with ever-increasing frequency.

As to the suggestion made by some Republicans, including the Felon-elect, that California should be denied disaster aid because Democratic Governor Gavin Newsom has mismanaged the state’s water resources, I will simply refer you to this article from the BBC: https://www.bbc.com/news/articles/czj3yk90kpyo

Not only are GOP claims baseless, they are deeply cruel. Denying aid to the state won’t hurt Newsom. It will hurt innocent people who have lost their homes and businesses. And if blame for this travesty falls on anyone, it ought to be those who have spent the last three decades denying that climate change is real, the political Neros who pander to the fossil fuel industry while the planet burns.

Climate change is here. It’s merciless and indiscriminate. You can see its impact on your televisions and computer screens and smart phones right now. And it’s only getting worse.

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings (On Tuesday): Nesting!

No, this isn’t a post about birds (though I imagine one or three will be forthcoming before the year is out). As I have already mentioned in this blog, Nancy and I are living in a new place: a house in New York’s Hudson River Valley. We’re on six acres of lovely land, with fruit trees, a pond, open grass, and wooded sections. Nancy has plans for a wildflower meadow, a vegetable garden, and lots of flower beds.

Right now, though, it’s too cold for all of that, and our attention is elsewhere.

We are nesting.

This, at least is the word my parents used to describe that phase after a move when one primps and polishes and purchases things for one’s new home. And, as a birder, I like the term.

We have been painting the house, room by room, for a few weeks now. I will not go so far as to say that the people who inhabited the house before us had terrible taste in wall color. But, bless their hearts (I may have left the South, but it hasn’t entirely left me . . .), they did chose some odd hues for a few of the rooms. We saw the potential of the house right away, but we also knew that we needed to lighten it considerably. This meant having the floors refinished before we moved in. They are wide plank Yellow Pine, and they’re beautiful, but they had been stained dark. And it also meant painting those dark walls a neutral, off-white, and painting the dark red trim (yes, that’s right: Dark. Red. Trim.) a soft beige, about the color of creamed coffee.

Living Room
Our new living room. The window trim has yet to be painted, but the walls have!

The new floors and walls have transformed the house, which actually has lots of windows and SHOULD be nice and bright. It’s now getting there.

We are also buying stuff. Yes, before moving, we threw away a bunch of our belongings and it felt great. We were lightening our load, downsizing to fit our new, smaller home. And we don’t want to undo all of that hard work. But the fact is, we need some things. We don’t have built-in bookshelves here, so we need bookcases. We have a wonderful outside patio that will require a fire pit at some point. We left our TV and our old stereo for the new owners of the old house. We gave away three beds when we moved and need to replace two of them with sleeper sofas. And we had two incredible vacations last year, and I am eager to turn some of my prized photos into framed art — even though, as Nancy points out again and again, we already have too much stuff to cover our newly painted walls . . . .

Mostly, we are moving stuff around, figuring out where things go, where furniture and art and lighting will look best and do the most good. It’s fun. It is something we are enjoying doing together. And we are slowly turning our new house into a new home, a place in which we will be happy and comfortable for years to come.

Nesting. Feathering the nest. Like some overgrown bower birds looking for shiny, colorful new objects with which to adorn our new domain. That’s us right now. As I say, it’s a lot of fun. Which doesn’t mean we’re not looking forward to being done and fully moved in.

Have a wonderful week!!