Children of Amarid was first published in 1997, which is a really, really long time ago. The person who wrote that book must be, you know, old. Not “Rime-of-the-Ancient-Mariner” old, but at least venerable. Perhaps even vintage. Certainly grizzled.
I’m not sure I was ever the Hot New Thing in Fantasy, but if I was, I’m definitely not anymore, and haven’t been for a while. On the other hand, at this point I’m a Survivor, someone who’s Been Around Forever and Seen It All. And I suppose that’s kind of cool.
Today the Summer/Fall 2016 Blog Tour stops by the site of my wonderful friend and fabulous agent, Lucienne Diver. In my post, I use the recent release of the Author’s Edit of Children of Amarid, my first novel, as a jumping off point for a discussion of changes I’ve seen in publishing over the course of my nearly 20 years in the business.
You can find the post here. Please feel free to leave a comment or question. I’ll be checking in during the course of the day. Thanks!
I knew that I would need to revise the book before it could be published. Kind of the way I knew I would need to rotate the tires on my car at some point. I acknowledged it as part of the production of the novel, but I gave no thought to what it actually meant. Talk about rude awakenings.
Today the Summer/Fall 2016 Blog Tour stops by to visit with my friend, New York Times bestselling author Faith Hunter. My post is about the process of editing Children of Amarid and the other books of my LonTobyn Chronicle for reissue, and about all I learned when working on the original books, back when I was a writing newbie. I knew so little about publishing back then, and was confronted with some difficult lessons. But I emerged from the process stronger, smarter, and better equipped to pursue a career in the book business.
I hope you enjoy this post, which you can find here.
It’s Quick-Tip Tuesday, and I’m back at Magical Words with a post about how to establish and meet work goals without setting ourselves up for disappointment and discouragement. You can find the post here.
And the Summer/Fall 2016 Blog Tour rolls into SFF World today, where a new review of Children of Amarid has just been posted. For those who don’t know, Children of Amarid is my first novel, originally published in 1997. It, and the rest of the LonTobyn Chronicle, my first trilogy, won me the Crawford Award and established me both commercially and critically. But it also suffered from many of the flaws one finds in a first novel. So, I have recently reissued the Author’s Edit of the book. The review is of this new version. You can find it here.
Today I have a post up at Pat’s Fantasy Hotlist. I first “met” Patrick St. Denis in 2005, when he began his list with a number of book reviews, including very kind reviews of my LonTobyn Chronicle. And so it seemed natural that as I tour the intrawebs publicizing the release of the Author’s Edits of Children of Amarid, The Outlanders, and Eagle-Sage, I should stop by Pat’s wonderful site.
Today’s post is called “Learning From a Younger Me,” and you can find it here.
As the Summer/Fall Blog Tour continues, I visit today with friend and fellow writer Ken Schrader, who interviews me about the Author’s Edit of Children of Amarid, and writing stuff in general. Come on by and join the conversation! You can find the interview here.
So how do we imbue our prose with emotion? Well, we DON’T do it with a sledge hammer. I am not telling you to bludgeon your readers with paragraphs-long explorations of your characters’ emotions. That would be no better than a data dump. Sometimes all we need is a gesture or moment’s expression — the twitch of a lip, a nervous gesture with the hands, the refusal to look someone in the eye. Delving into emotion doesn’t mean eschewing subtlety.
Today’s Quick-Tip Tuesday post is up at Magical Words, and it’s about imbuing our writing with emotion. To my mind, few things are more important for effective story telling. Read more here. Enjoy, and keep writing!
This is still the work of an inexperienced writer. Comparing The Outlanders to the work I’ve done more recently, I still cringe a little at the habits of that younger me. But I also see growth, a writer beginning to master elements of his profession.
And, to my surprise, I see as well things that I need to be reminded of today as I think about where I ought to go next with my career and my craft.
Today’s Quick-Tip Tuesday post at Magical Words again discusses my revisions of my first series, the LonTobyn Chronicle, and what I have learned from that younger version of myself. It’s not just a matter of correcting youthful mistakes; at times, I’m finding that I need to emulate more some of the things I used to do. Sounds interesting, right? Then read the post! You can find it here.
Writing can be a lonely profession. We often work on our own, toiling alone for hours at a time, sending our work into what can feel like a marketplace vacuum, and waiting for feedback that can be hurtful, even brutal. It’s hard, and our solitude makes it harder. Yes, we have loved ones on whom we can lean for support, but there’s no substitute for talking these things out with people who understand the process and the pain, the toil and the isolation.
Today’s Quick-Tip Tuesday post at Magical Words is about writing communities — conventions, retreats, crit groups — and the benefits they bring to writers of all levels. I’m recently back from ConCarolinas and the Roaring Writers 2016 Retreat, where I led critiques and taught, and I have a new writing group in my town, so this topic has been on my mind lately. I hope you enjoy the post, which you can find here.
I’ve noticed an incredible amount of extra verbiage in my early books — filler, if you will: superfluous words that add little to the storytelling, but clutter up my prose. For the wordiness-intolerant, these words are as unwelcome as, well, Wonder Bread at a luncheon for the gluten-adverse. How much is “an incredible amount”? In Children of Amarid, book I, I cut 20,000 words without touching plot, character, or setting.
It’s another Quick-Tip Tuesday over at the Magical Words blog site. Today’s post is about self-editing, and specifically finding ways to tighten up our prose. I’m editing my first series, the LonTobyn Chronicle, for re-release later this year, and I’m doing a LOT of cutting and tightening, so this is definitely on my mind right now. Find out what I’m thinking as I edit my work. You can read the post here.
Enjoy, and keep writing!
We never know when we’re going to draw upon experiences in our lives, be it for setting or character, plot or emotional content, dialog or action or romance or any of the myriad other narrative elements that come, at least in part, from our own lives.
We writers are pack rats. We hoard everything. Maybe not in a physical sense (though I’m that kind of pack rat, as well), but certainly in a conceptual sense.
It’s Quick-Tip Tuesday over at Magical Words and I have a post up today about travel, experience, and turning memory into narrative. I’ve been drawing on my own travel experiences for my fiction for nearly twenty years, and as we move into summer travel season, it strikes me as a good time to discuss such things. The post can be found here. I hope you enjoy it.