Category Archives: Case Files of Justis Fearsson

Writing Tip Wednesday: I Suck At Titles, So Let Me Offer Some Advice…

I suck at titles. Or at least I think of myself as sucking at titles. It turns out, though, that many of my colleagues think that they suck at titles, too, and I’ve always kind of admired their titles. Which either means A) that all of us just THINK we suck at titles, or B) I REALLY suck at titles, so much that I can’t even judge the quality of other people’s titles.

For the purposes of this post, let’s go with option A.

The other day I asked the folks in my Facebook group (the David B. Coe/D.B. Jackson Facebook Group – you can join here) to suggest possible topics for the Writing Tip Wednesday feature on my blog. I will be taking suggestions for as long as you all want to offer them, so again, if you want to join the group, the link is here. (Too much?)

People responded with several suggestions (finding agents, marshaling ideas into a coherent story, using a pseudonym – all of these sound good to me and all of them will eventually work their way into posts), but one that seemed to get some traction related to coming up with titles for novels and short stories.

I found this somewhat amusing, because I suck at titles. Or at least I think of myself as sucking at titles. It turns out, though, that many of my colleagues think that they suck at titles, too, and I’ve always kind of admired their titles. Which either means A) that all of us just THINK we suck at titles, or B) I REALLY suck at titles, so much that I can’t even judge the quality of other people’s titles.

For the purposes of this post, let’s go with option A.

I tend to think that titling a novel and titling a short story are quite different. For one thing, with a novel we have more to work with. To my mind, it’s just easier to find the right turn of phrase for a 100,000 word project, than it is for one that’s only, say, 6,000 words. More, quite often our novels are connected to a series of books, and together the franchise can yield an effective title pattern. (The Harry Potter books are an obvious example.) Short story titles can be more difficult.

So allow me to begin with a couple of basics.

A title, whether for a novel or a shorter piece, should be as simple as possible. It should be memorable, or if not, at least easy to remember (and those are two separate things). It should tell the reader something about the story, but not so much that it either gives away key information or depends on the reader understanding details he or she can’t possibly know. Keep your titles short, avoid words or phrases that are unique to your made-up world or that are likely to be unfamiliar. Obviously there are exceptions to this. (My very first book was called Children of Amarid, which turned out to be a crappy title, because, A) no one knew who Amarid was, and B) everyone assumed (incorrectly) that it was a book for kids. And yet the book did well commercially and critically. So, what the hell do I know?

The Hunger Games is a great title for a book, particularly for the first in a franchise. Simple words that are put together in a way that is both intriguing and memorable. The title captures the essence of the book, introducing a fundamental element of the plotting that will remain central throughout the entire series.

I believe my best titles were those I used in the Thieftaker series. I knew I was writing a sequence of books and I knew as well that I was introducing many readers to a profession that was somewhat different for our genre. And so calling the first book Thieftaker allowed me to present the series concept right out of the gate, kind of like a musical act titling their first album eponymously. For the second book, since I was still building series momentum, I wanted a title that related back to the first in some way. And since I had Ethan both hunting for a thief and being hunted by one, I went with Thieves’ Quarry.

By the time I was working on book 3, I thought another “Thief” title would feel hokey, and so was ready to go with something different. My first choice, City of Shades, was TERRIBLE. Shades is another word for ghosts, and, yes, ghosts figure prominently in the story, but still… Yuck. Then I started thinking about my villain, who was a sea captain, almost a pirate. When the final title, A Plunder of Souls, came to me, I knew I had a winner. Again, simple words – unlike “shades” there is no word there that can be misinterpreted. But the words were memorable, evocative, and unusual, especially taken together. Same with the fourth title, Dead Man’s Reach, which sounds ominous and atmospheric, but also evokes the image of a body of water (continuing the nautical theme).

When I work on short story titles, of course, I don’t have to worry as much about a franchise. Yes, I write stories in universes first created in novels (Thieftaker, Fearsson, Islevale) but we don’t market short fiction the same way. Which means that those guidelines I mentioned earlier are even more important for short story titles: keep them simple, make them easy to remember, make them relevant to the story, and avoid words and phrases that are likely to trip up readers. For instance, a couple of years ago I wrote a Thieftaker story for the Razor’s Edge anthology. The story had intrigue, a historical battle, magic, and a villain, a woman who could conjure and who wears a green gown. I could have named the story any number of things, but I went with simple: “The Woman in Green.” She is key to the story, the title is easy to recall and not at all confusing, and there is, to my mind, something slightly mysterious about presenting her in that way.

A few more things to remember about titles. First, they can’t be copyrighted. You can use a title that you have seen elsewhere, and someone can use your title if it fits their story. This also means that there is no harm in using a memorable phrase, say from a nursery rhyme or idiom, as a title. Plenty of people do. (I’ve long thought James Patterson’s use of “Along came a spider” was brilliant.) That said, once I find a title, I do an Amazon search, because though different works can have the same titles, I prefer to have as few duplicates with my titles as possible, and I really don’t want to name my book after something that has been released in the last year or two. Also, keep in mind the genre you’re writing in. If you’re writing an epic fantasy, you might want to avoid titles that sound like science fiction. If you’re writing military SF, you probably don’t want to use a title that sounds like a Regency romance. (Although, as with everything else, there are exceptions. Irony can be fun.) And finally, as with all “rules” about writing. There are as many exceptions to the rules as there are rules themselves. As I say, my very first book had what I would now consider a terrible title, and it did very well. For every Hunger Games or American Gods, there is a The Effect of Gamma Rays on Man-in-the-Moon Marigolds, and lots of them do just fine.

In the end you need a title that speaks to you, that captures what you were after as you wrote. Some of my titles (His Father’s Eyes, for instance) come to me in mere moments. Others, like A Plunder of Souls, I struggle with with months. Ask friends what they think of your title. Ask them what sort of book comes to mind when they hear it. And understand that in the end, a publisher might change your title. It’s never happened to me, but it does happen. Because ultimately titles are part of marketing, and many of us authors really, really suck at that…

Keep writing!

SHADOW’S BLADE Audio Book Giveaway!

Shadow's Blade, by David B. Coe, audio book

Look what I have! A new, unopened, single-disc, MP3 format audio book of SHADOW’S BLADE, book 3 in my Case Files of Justis Fearsson urban fantasy series from Baen Books. The narrator is Bronson Pinchot, and the novel is the best I’ve published to date.

And I’m giving this away. Tweet about this post, share it on Facebook, spread the word in some way online, and you are entered to win it. Drawing will be next Friday, and the disc will be sent out first class on Monday Dec. 19th, in time for holiday delivery. So get started!! And good luck.

Justis Fearsson Journal Entry — September 23: A #HoldOnToTheLight post

#HoldOnToTheLightWhen Gail Martin invited me to participate in the #HoldontotheLight campaign, I leapt at the chance and thought immediately of Justis Fearsson, the lead character in my contemporary urban fantasy, The Case Files of Justis Fearsson (Spell Blind, His Father’s Eyes, Shadow’s Blade, all from Baen Books). Every book in the series deals with mental health issues, and the magic system itself is build around them. Jay Fearsson is a weremyste. He’s a sorcerer all the time, but every month on the full moon he lapses into temporary insanity and his magic strengthens. Gradually, these moon phasings will drive him permanently insane, as they did his father, also a weremyste.

Magic in Jay’s world is known, but stigmatized, much as mental health problems are in our world, and Jay not only suffers from his own magic-induced illness, he is also a caretaker for his Dad. Magic, of course, is a device, a way into these issues that allows me to write books that are entertaining and edifying at the same time. In the piece that follows, Jay reflects on grappling with his own demons, just as people I love — friends and family — deal with theirs on a daily basis. I wish all of you strength and good health, and I hope that this piece, and our group efforts to #HoldontotheLight, help in some small way. — DBC

*****
If Billie and I ever have kids, and any of them grow up to be weremystes, like me, I’ll tell them about this, my second birthday.

A person can’t be a weremyste without understanding mental illness. Can’t be done. Every month on the full moon, and the nights immediately before and after, we lose our minds, even as our magic strengthens. That the insanity is temporary does nothing to soften the impact of those moon phasings. And over the course of time — no surprise — subjecting our minds to that magical meat grinder does permanent damage.

My dad is a weremyste, a burned-out old sorcerer who’s subject to delusions, hallucinations, and all the rest. I look at him, and I see more than a man with my pale gray eyes and tapered jaw. I see me in thirty years. I see my future, and it’s not pretty.

There isn’t one of us who hasn’t put something to his or her head in the middle of a phasing. A bottle of cheap bourbon, a crack pipe, a pistol. I’ve never tried crack, but the other two . . . Yeah, I’ve drunk my way through a lot of full moons, and I’ve rested the muzzle of my Glock against my temple more times than I care to count. It’s a miracle that I’m still alive.

But what set September 23, 2007 apart from all the other times was that it didn’t fall on a full moon. We were still three nights shy of the first night of the phasing.

It wasn’t temporary insanity than put the pistol in my hand. I don’t have that excuse.

I didn’t have Billie in my life back then. I was new to the Phoenix police force and really wasn’t holding it together too well, what with trying to take care of my dad and stumbling from one phasing to the next. I couldn’t confide in my partner, Kona, because at that point she didn’t know I was a weremyste, and I wasn’t ready to confess all. And I was staring down the barrel of yet another phasing.

That night, I’d had enough. I was weary to my very soul. I couldn’t imagine weathering another full moon, much less a lifetime of them. I was filled with dread and self-loathing and I just wanted a way out, no matter how extreme or final. I wouldn’t say I was at my best or even fully cogent. But as I say, I didn’t have the excuse of the moon phasing. This was me, unvarnished, face to face with the worst of my demons.

So, why am I still alive? Why am I able to celebrate today as a second “birthday”? I wish I could point to some heart-warming epiphany that made me put down the Glock and pull my shit together. I wish I would say that I thought of how much I love my father and knew I couldn’t leave him alone, or that I realized God loved me and so understood my self-worth and my place in the world. But I don’t think life works that way. It certainly didn’t for me.

No, it was darker than that. I imagined Kona finding my body. I imagined her having to drive out to Wofford, where my Dad has his trailer, and explain to him what had happened. What I had done. I tried to piece together that conversation in my head; I thought of her fighting through his dementia, making him understand that I was dead, a suicide.

Okay, maybe it was that I love him. But there were no angels signing, no fanfare of trumpets, nothing beautiful or dramatic or romantic about it. I chose not to kill myself because I wasn’t willing to put the people I care about through the pain of dealing with my mess.

Only later on, a couple of months down the road, did I come to appreciate how close I had come to  doing something unspeakable. And by that time, Kona and I were getting along better. I had started to confide in her. Namid, the Runemyste who guides my magical training, had come into my life and forced me to see my powers as something other than a burden. I’d started to work on improving my relationship with my Dad and, lo and behold, on those rare days when he was coherent, he responded by opening up a little.

In other words, life got better. Not turn-my-world-around better. But it was progress nevertheless. The phasings still sucked. There was no way around that. And yet, even they weren’t quite so bad. I managed to get through more and more of them without reaching for a fifth of Jack, or wondering where I’d left my weapon.

My second birthday didn’t Change Everything. Really it changed nothing. All that happened was I hit bottom and managed to keep myself from pulling the trigger. That was enough, though. Because we get better. We learn to cope. We love and we live and we fight the battles that need to be fought.

I don’t have a lot of answers. When my son or daughter wrestles with his or her demons, I won’t have any magical solutions for them — pun intended. I’ll just be able to tell them what I learned all those years ago. Every day we refuse to give up, is another day we win.

*****
About the campaign:

#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.

Please consider donating to or volunteering for organizations dedicated to treatment and prevention such as: American Foundation for Suicide Prevention, Home for the Warriors (PTSD), National Alliance on Mental Illness (NAMI), Canadian Mental Health Association, MIND (UK), SANE (UK), BeyondBlue (Australia), To Write Love On Her Arms and the National Suicide Prevention Hotline.

To find out more about #HoldOnToTheLight, find a list of participating authors and blog posts, or reach a media contact, go to
https://www.facebook.com/groups/276745236033627/

Release Day Quick-Tip Tuesday Post!

So I’m going to push myself to achieve my goals. I’ll do everything I can to make my ambitions come to fruition. And I’ll dream a little. Because here’s the thing: Dreams can’t come true if I don’t push myself to be ambitious. And I can’t entertain my ambitions if I don’t put my butt in the chair and meet my goals.

Shadows-Blade-RR-banner-1-1Today is release day for Shadow’s Blade, the third novel in my Case Files of Justis Fearsson series from Baen Books. And it also happens to be Quick-Tip Tuesday over at Magical Words. The result is a special Quick-Tip Release Day post on the ways in which we define success and deal with ambition, dreams, and all the stuff life in the publishing industry throws our way. The post can be found here.

And the book can be purchased here! Or here! Or here!

I hope you enjoy the book and the post. And thanks.

Alex Bledsoe, the Library Police, and Me

Last weekend, at the Chattanooga Steampunk Expo, I had the distinct pleasure of meeting in person and hanging out with my longtime internet buddy, Alex Bledsoe, author of the Eddie LaCross and Tufa novels, among others. (Visit his site for more info.) During the convention, Alex and I did an hour-long interview with Dietrich Stogner and Josh Mauthe, also known as the Library Police. It was a great discussion, wide-ranging, irreverent, fun, and, I hope, informative.

The interview in now up and available for download as a podcast. You can link to it here. I hope you enjoy it!

Win a Signed Copy of HIS FATHER’S EYES!!

Layout 1HIS FATHER’S EYES, the second novel in my Case Files of Justis Fearsson series (a contemporary urban fantasy from Baen Books) will be re-released in paperback on March 29, 2016. To mark the occasion, I’m giving away two signed copies of the book on March 22. Want a chance to win?

Great! Here’s what you do. Tweet about the book and the release on Twitter, and include @DavidBCoe in the tweet. Or post about it on Facebook and tag “David B. Coe” in the post. Or do something else on social media and let me know what you did. If you’ve already done those things in response to an earlier Facebook post or tweet, that’s fine. You’re good — you’re entered already. Although, of course, you’re welcome to post/tweet again . . .

200SpellBlindI love this book, and I hope you will, too. And if you haven’t yet read the first book in the series, SPELL BLIND, this is as good a time as any to pick up a copy!

Thanks, and good luck!

My Schedule For DragonCon!

I am delighted to present my schedule for DragonCon, which begins on Friday in Atlanta. I will be appearing as D.B. Jackson (and that’s how I’m listed in the program), but will be talking about work written under both of my pen names. I have lots of panels, a reading, and a couple of signings. And if you can’t find me at one of those events, I will also be in a dealers’ room booth — Tairen’s Lair/Author/s Lair — selling and signing books. Can’t find me even in the booth? Check the Westin Bar. I’m probably there. So come by and say hello. Details below:

First off, my panels:

Title: Race and Gender Issues in Alternate History
Description: The treatment of race and gender in the Alternate History genre.
Time: Fri 11:30 am Location: Augusta 3 – Westin (Length: 1 Hour)

——————-
Title: The Plot Thickens: Mystery & Suspense in UF
Description: How mystery & suspense characterize Urban Fantasy.
Time: Fri 02:30 pm Location: Chastain ED – Westin (Length: 1 Hour)

——————-
Title: Princess Alethea’s Traveling Sideshow
Description: Readings, music, & more from a motley band of costumed authors, plus swag!
Time: Fri 07:00 pm Location: A707 – Marriott (Length: 1 Hour)

——————-
Title: Blending History & the Fantastic
Description: Challenges & advantages of using historical settings & events in speculative fiction.
Time: Fri 08:30 pm Location: Chastain ED – Westin (Length: 1 Hour)

——————-
Title: World Building—Part 1: Building Alternate Eras
Description: Alt-world creators tell secrets of building brave new worlds, from research to history deviations.
Time: Sat 04:00 pm Location: Augusta 3 – Westin (Length: 1 Hour)

——————-
Title: Magepunk: Sorcery as Technology
Description: Alchemical rules or arcane industrial revolution? We focus on media depictions of magic as technology.
Time: Sat 05:30 pm Location: Augusta 3 – Westin (Length: 1 Hour)

——————-
Title: Spellbound: Magic Systems in UF
Description: Authors in the genre describe the characteristics of the magic that serves as the underpinnings of their worlds
Time: Sun 08:30 pm Location: Chastain ED – Westin (Length: 1 Hour)

——————-
Title: Realms of the Dead: Ghosts and Spirits in UF
Description: Panelists discuss the various types of ghosts and spirits found in the genre
Time: Mon 10:00 am Location: Chastain ED – Westin (Length: 1 Hour)

My reading:

Title: Reading: D.B Jackson/David B. Coe
Time: Mon 11:30 am Location: Marietta – Hyatt (Length: 1 Hour)

My Booth Appearances:

Once again this year I will be in the Tairen’s Lair/Author’s Lair booth in the dealer’s room. That is booth # 1223-25 on the first floor of the American’s Mart, Building 2, West Wing

I will be in the booth . . .

Friday from 4:00pm-6:30pm

Saturday, 10:00am-12:00pm, and 1:30-pm-3:00pm

Sunday, 10:00am-12:00pm, and 4:00pm-5:30pm

Monday, 1:00pm-3:00pm, and 4:00pm-5:00pm

Finally, I will also having signings at The Missing Volume, also in the America’s Mart, booth 1301-03, 1400-02.

My signings at The Missing Volume:

Sunday, 6:00pm-7:00pm

Monday, 3:00pm-4:00pm

The Blog Tour Ends With a Post on Ideas and Creativity

Over the years I’ve come to the conclusion that the act of creation is, among other things, an act of faith. We start our projects believing that when our work is done, the finished product will be complete and coherent, a reasonable representation of the vision that drove us to begin in the first place. But of course, we have no guarantee of this. We have only our confidence in our own creative process.

With today’s post at Magical Words, I wind up the Summer-of-Two-Releases Virtual Tour. The post is called “Ideas and the Creative Act of Faith,” and it is about my struggles with my next new project. You can read the post here. I hope you find it interesting, and instructive.

Today on the Blog Tour: Nemesis and Protagonist

One of the things that the first book did not do — because it wasn’t necessary to the plot — was to set up a nemesis for Jay Fearsson who would outlast the narrative of this particular novel. I mean someone like Leo Pellisier in Faith’s Jane Yellowrock novels, or Sephira Pryce in the Thieftaker Chronicles, or the rival powers in C.E. Murphy’s Negotiator series: a character who represents both danger and opportunity for the protagonist, someone who challenges my hero, who threatens him, but who also relates to his darker side.

As I say, there was no room in the first book for such a character. But in the second there is. His name is Jacinto Amaya . . . .

The 2015 Summer-of-Two-Releases Virtual Tour resumes today, after a brief hiatus, with a post at the Magical Words blog site. The post is about creating a long-term nemesis for our protagonist and what that can to infuse energy into our stories. I use His Father’s Eyes, the second volume in the Case Files of Justis Fearsson, as a case study for this. I hope you find it helpful. You can find the post here.

Breaking Down the Opening of HIS FATHER’S EYES

A few weeks ago, around the time of the release of Dead Man’s Reach, I broke down the opening paragraphs of that fourth Thieftaker novel, to give you some sense of what I was trying to accomplish on the first page of the book. It was a fairly standard start — effective and, I think, nicely written — but not all that different from past Thieftaker openings.

I’d like to do something similar today with the first few paragraphs of His Father’s Eyes, as a way of contrasting this opening with that other. You’ll see immediately that the first page of this book is very different. The opening is the least conventional of any I’ve ever written. In fact, it breaks many of the rules I usually encourage aspiring writers to follow.

The 2015 Summer-of-Two-Releases Virtual Tour returns to Magical Words for another post about openings. In this one, I break down the opening lines of His Father’s Eyes, the second book in my Case Files of Justis Fearsson series, which just came out last week. You can find the post here. Enjoy!